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Lincoln le Fevre and the Insiders
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Lincoln le Fevre and the Insiders
Genre: Indie, Rock
Region: Hobart, TAS
Members: Lincoln le Fevre, Richard Armstrong, Henry Nichols, Rob Grundel, Elliot Taylor
Sounds Like: you am i, ryan adams
Influences: you am i, Uncle Tupelo, Elvis Costello
Artist Website: www.linclefevre.com

New album 30-WATT HEART out 26th Septepmber.

Visit www.linclefevre.com to preorder.

When Lincoln tells a story, people listen. These are more than just songs and melodies, these are stories that take you somewhere. Lincoln’s shows have the intimacy borne of playing in small town pubs, cafes and loungerooms that can charm a crowd of hundreds.
As well as being the driving force behind Hobart’s indie rock mainstays Fell to Erin, Lincoln has played as a solo artist alongside the Go-Betweens, Tim Rogers, Pete Murray, Dan Sultan, Alex Lloyd, Eskimo Joe, and the Waifs.

Armed with a new band and a bunch of new songs about girls, guitars and governments, Lincoln le Fevre and the Insiders takes the charm and integrity of Lincoln’s songs but kicks it out with shades of indie rock, alt-country and soul.
The Insiders features: Henry Nichols and Richard Armstrong (drums and bass) previously of Pete Cornelius’s Devilles, Sixninja and The Benjafield Collective; Elliot Taylor on guitar (The Craves); and Robbie Grundel (Snowbug) on keys.

Lincoln has engineered and produced Red Rival's Up All Night EP, The Scandal's acclaimed 2006 release Never Hold To Shore, as well as working with Enola Fall on their soon-to-be-released long player Ghostpoems. He also teaches college students how to play rock and roll and produce records.

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reviews

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Hey, alright!
rating:  5/5
incredible band! story-telling genius.




Hey, alright!
rating:  4/5
The band is freaking cooking! Its tight, and its got a variety of different instruments and genres in to one which is just too cool! Lincoln, I don't...




Painting our names
rating:  4/5
addictive.




Hey, alright!
rating:  5/5
Hey, better than just alright!
more reviews



This project is supported by the Australia Council, the Australian Government’s arts funding and advisory body, through its Music Board Section.