Devastatingly evocative "sad boy folk" out of Melbourne's inner north.
How did you first get into playing music?
I first got into music by just wanting to copy my sister - she played piano when I was quite young and I just looked up to her and wanted to copy her. So I've been playing piano for 15 or 16 years now. I started out doing just classical stuff then later found a lot of hardcore, emo and alternative bands that I got my angst out with, and from there got into contemporary music a bit more.
What sort of music were you exposed to when you were younger?
When I think about the music I was exposed to when I was younger I can only recall negative experiences. My mum raised me on a lot of Backstreet Boys and Shania Twain. I get that some people might like that, but it was a pretty dismal experience for me.
How did you develop your sound?
I developed my sound through a lot of trial and error. Initially it was hardcore and alternative music that opened me up to how emotions can be conveyed in song. Through that I discovered artists like Elliot Smith, Bright Eyes, Bon Iver and other artists that know how to emote really well. So I think a lot of the process has been trying different things until something's clicked and since this has clicked it's been about finding the best way to convey and emote the things I want to say.
How would you describe your sound now?
I like to think of it as fairly honest music. I try not to dress it up too much. It's just an exploration of ideas that are going on in my head. My approach is to sing the songs in a way that is like you and I are just hanging out and I'm telling you what's going on. Describing it as "raw" might be a little cliche, but it is quite genuine and unfiltered. It's been called 'sad boy folk'. Just listen and have a cry.
Where do you draw your inspiration from?
A lot of the inspiration for the songs I write just comes out as the songs manifest themselves. It feels like unconscious writing. It comes from a place that's quite heartfelt. The stories usually come from personal experiences or they are reflections on a personal experience. The occasional song will be inspired by a friends experience, but it's all pretty close to home.
How and where do you produce your songs?
I produce all my songs out of my bedroom in Thornbury, Melbourne. It's a beautiful area. My house is on the corner of a road, so there's a lot of heavy traffic going by. I record and mix all my music there - so that's why if you listen really close you'll probably hear a car or some birds in my tracks.
What do you do when you're not creating music?
When I'm not creating music, I'm performing music. It's become so much a part of my identity that I don't do much aside from create, record or play music. When I'm not playing my own stuff, I'm playing in mate's bands.
What can punters epect from an Alexander Biggs live show?
When you come to a live show you can expect me and an acoustic guitar. I'm working on putting a band together, but for now it's just me. It's a very simple setup and an even more honest experience than listening to my recordings, because there's no production or double-tracking. You can hear every word of my songs, plus I can give you some cheesy banter inbetween them.
Please tell us about the Melbourne music scene.
The Melbourne music scene is a beautiful and incredible thing, and I'm so blessed to be involved in something so genuine and cool. It's friendly and embracing, there's great venues and just so much incredible talent to play shows with.