Artist info
Genre
Indie, Pop, Punk, Rock
Sounds like
Ceres, The Hard Aches, The Smith Street Band, The Menzingers, Frank Turner, Camp Cope, Dave Hause, Brand New, Kevin Devine, Bright Eyes, The Wonder Years, Biran Fallon, Phil Wolfendale
band members
Brenton Harris - Vocals Bryce Novotny - Guitars/vocals
Influences
The Smith Street Band, Paul Kelly, Bright Eyes, The Loved Ones, The Menzingers, Frank Turner, The Wonder Years, Hot Water Music, Counting Crows, The Gaslight Anthem, Every ex-punk bearded dude to ever put on a flannel and sing heart-on-their sleeves/confessional tunes.
Unearthed artists we like
Pagan, Clowns, The Flying So High-Os, CERES, The Hard Aches, Luca Brasi, Phil Wolfendale, The Suicide Tuesdays, Blaire, Lukewarm Iced Tea, Semen and Garfuckel
Website
Bio
Formed in Melbourne in 2016, Catholic Guilt are best mates Brenton Harris and Bryce Novotny. Catholic Guilt write raw, emotional and disarmingly honest music for the internally conflicted masses, blending elements of folk, punk, rock and alt-country to create an unashamedly vulnerable, yet ultimately uplifting and cathartic listening experience. Having shared stages with artists the ilk of The Ramshackle Army, The Bottlers, Luke Seymoup, Fox 'n' Firkin, The Suicide Tuesdays, Billy Punton, Semen and Garfuckle, Phil Wolfendale, Luke Warm Iced Tea and Operation Ibis, Catholic Guilt are road-tested and ready to convert the masses. through 2018 with a debut EP titled Hymnbook Volume 1 dropping in early April, extensive touring plans, (with a full backing band added for appropriate dates) let their honest music into your ears and they’ll make believers out of your soul
Review
you definitely did not fk up here guys
you definitely did not fk up here guys
Review
haunting and persistent, not unlike the deeply ingrained catholic guilt that follows me around on a day-in-day-out basis
haunting and persistent, not unlike the deeply ingrained catholic guilt that follows me around on a day-in-day-out basis
Review
I love that moment at about 3:20 mins where you nail that restrained power with that cut back guitar. Then it ramps up into this full sounding chorus - the icing on the cake. It's solid rock with little punk / folk elements to it! Keen to hear more.
I love that moment at about 3:20 mins where you nail that restrained power with that cut back guitar. Then it ramps up into this full sounding chorus - the icing on the cake. It's solid rock with little punk / folk elements to it! Keen to hear more.
