Falling for the northern hemisphere.. the notion of life in winter and the appeal of a hibernation far away, Dustin Tebbutt relocated to Sweden for 2 years to write and record music. The result was a tenderly sculpted album about that move to the other side of the world.. The things he left or lost along the way, and the person that came back.
New England, NSW
Dustin Tebbutt has crafted some beautiful rolling guitar pop with sublime harmonies and golden tinges of melancholy.
Tell us about your music - how did you develop your sound?
Over time, more and more factors are contributing to the development of my sound. A lot of direct and indirect musical influences, contemporary folk music, film scores, living in Scandinavia and the winter in the north... also my relationship with the studio environment. For this project particularly, I spent a lot of time in my home studio, just exploring and really working on creating a layered sonic landscape. It’s those small organic nuances that you stumble across over time that have really defined the sound of this project for me.
You wrote and produced a lot of your music in Sweden. What did you find most inspiring over there?
The thing that impacted me the most about living in Sweden was the physical environment. All of it.. It’s so different from everything we have here in Australia. The dramatic seasonal shifts, the colours and textures in the trees, the light... is softer or something. The winter, it’s so extreme, and because of that it’s so beautiful. It’s a hard thing to describe, but I found it really inspiring to be immersed in those places.
What other artists/musicians do you draw inspiration from?
I haven’t been listening to much music lately, but I do have some staples that I keep going back to: Laura Veirs, Max Richter, Great Lake Swimmers, Feist, Elbow, Tucker Martine. I try to be a bit selective too when in writing/production mode. I find it can be good to limit what I listen to, just to put some boundaries in place.
You’re preparing to play shows. What’s your vision for the live show like?
I just did the first gig on Sunday evening actually! I’ve been really focusing on bringing the important sonic elements from the recordings to the stage, but still keeping a sense of play and freedom in there. It’s a fine line, but these days there’s some great technology out there to work with! At this stage, it’s just a solo show, and I’ll be building it up as I go along.
What else is coming up for you in 2013?
The rest of the year is shaping up nicely. The next single is not too far off, I’ll be putting a fair bit of work into the live set and am now just in the process of booking some shows. I’ll have the next couple of video clips to produce, and then back to writing the next lot of songs!
Australian music is…?
…Evolving. I think now is a really interesting time for us. The internet has given Australians access to culture on a global scale, but often we’re positioned more as observers than major players. Because of this, it seems like there is some really interesting and unique music being created in Australia at the moment, and it has the ability to connect on an international level. I feel like we’re no longer culturally isolated from some other key regions of the world, and that’s reflected in the music we’re currently producing... It’s pretty exciting!View Profile Hide Interview