Artist info

Genre

Indie, Roots


Sounds like

Kaki King, The Waifs, Tuck and Patti, black keys,


band members

Leesa Gentz - Vocals/Guitar/Percussion Julz Parker - Vocals/Guitar/Cajon Tracy Bassy - Bass


Unearthed artists we like

Mama Kin, The Headland Peddler


Bio

With their new single Mutiny recently Premiered with repeat plays on Triple J Roots N All the Hussy Hicks are well pleased with their collaborative efforts on the new album. Teaming up with long time friend London based Producer Raphael White the girls have created a stunning new album that will surprise some but still maintains their folk and blues roots.They are currently on tour in the USA and head home next month to drop the record and head out for their Australian dates.

Almost 10 years after the release of their debut album Hussy Hicks
are back with their fifth full length offering, On the Boundaries. A
departure from their trademark live recordings, this album sees the
Hussy Hicks experiment with their sound and production to create
something familiar yet fresh. It’s the Hussy Hicks embracing a
creative approach and the results are nothing short of stunning.
The Gold Coast based band has made a name for themselves locally
and on the international stages the old fashioned way – not through a
Youtube video gone viral or a Facebook post shared thousands of
times, but by playing their music and connecting with audiences
one passionate performance at a time.
Julz Parker and Leesa Gentz possess a special connection and an
innate understanding of each other musically. Their unique sound
spans many genres from boisterous blues and roots, to
contemporary folk, alt country and power ballads.

For this album they joined forces with long time friend and musical
collaborator Raphael White. Their trust in him as a producer allowed
them to expand on their live sound and conduct some sonic
experiments in his London studio.
“Stylistically I guess the biggest difference between this and our
last albums would be the layering; more vocals, more guitars, more
time spent on production” says Julz. ““We tried not to be beholden to our live
sound, to keep the tracks open to be able to grow in any direction.
The way we found was best for that was to start each song by
Leesa laying down a couple of shaker tracks (as we do live) so that
we all had a solid foundation groove that we were all comfortable to build upon. We then sang
and played all the different ideas we had for each song and left
Raph with a bit of a sonic smorgasboard to play with.

It's not a folk album, its not a blues album, its
not an alt-country album but it still has bits of all our influences
wrapped up in there and we're super happy with the result.”