Artist info

Genre

Electronic, Indie, Pop


Sounds like

Imogen Heap, Regina Spektor, Kadhja Bonet, Billie Eilish, Solange, Moses Sumney


band members

Josie Mann


Influences

James Blake , Moses Sumney, Radiohead, Sufjan Stevens, Julia Holter, Fiona Apple, Rosalia, Mitski, Ariana Grande


Website

www.jofimusic.com/

Bio

21-year-old Sydney songstress and self-producer Jofi creates lush alternative RnB with smooth vocal harmony and minimalist electronic beats. Jofi is a one-woman show studying music composition which has allowed her to write, record and produce her music herself. That involves recording all the vocal harmony, composing a string quartet arrangement and recording her friends on their instruments. Jofi seeks to create her own voice in the industry, once being described by a fan as being ‘Billie Eilish and Ariana Grande’s music baby’. Following the success of her recent collaboration project with fellow Sydney producer Jerome Blazé on the track ‘Chame’, Jofi’s unique compositional voice is finally reaching the ears of the Australian public. When it comes to lyrics, Jofi writes about the painful stages of past relationships and how they have shaped her as a person.

Review

Review by Tommy Faith Tommy Faith

22 Aug 2019

Triple J
40

There’s something a little Mariah Carey Christmas Carol about the way you layer the vocals under this track. Also you can absolutely wail!

There’s something a little Mariah Carey Christmas Carol about the way you layer the vocals under this track. Also you can absolutely wail!

Review

Review by Declan Byrne Declan Byrne

21 Aug 2019

Triple J
35

this sounds like it should be on a disney film, it's magical and wondrous.

this sounds like it should be on a disney film, it's magical and wondrous.

Review

Review by Dave Ruby Howe Dave Ruby Howe

19 Aug 2019

Triple J
35

Hearing some really classic elements and influences here and it's got a swoon-able quality, if such a quality could be described so awkwardly. Romantic synth pop meets elite choral construction.

Hearing some really classic elements and influences here and it's got a swoon-able quality, if such a quality could be described so awkwardly. Romantic synth pop meets elite choral construction.