There are moments when you remind me of the quirky songwriting of Darwin Deez, for instance, there is a pinging noise that sounds like the beeps that emit from satellites, a random pick up I know, but there is something so grounding and comforting about that tiny detail? When I hear how that's paired with your vocals and harmonising instrumentals it makes the song sound both futuristic and retro at the same time.

You have really captured what it feels like to mull over why someone you connected so well with has left you for someone else. Although the situation you're singing about is sad, the warm production, the strings section and the way you sing softly and introspectively makes this a catchy, comforting pop song.

In these lyrics it's clear that the current circumstances that have limited your ability to travel this year have impacted you. Instead of it limiting your creativity, you've turned it into an opportunity to reminisce and dedicate a song to all those freeing moments you've had before. There's a reassuring stress-less vibe to it all, something we all need a little of at the moment.

Whenever I listen to this track it makes me want to smash in the window of my favourite music venue just to feel the gunk under my shoes and smell that weird mix of beer and limited sunlight in the carpeted band room again. I bloody adore how hectic each of the changes in this song are - it's starts off so swampy, heavy and slow and ends up in a convulsing rage. In short, I still stand by my choice to hock up phlegm live on air during short.fast.loud to describe how freeing and primitive this song makes me feel.

I'm such a sucker for classical piano chords anchoring down a pop song. You use those falling vocal chord progressions to really encapsulate the lyrics you're singing about - crushing hard, falling hard & waiting for someone to feel the same. It's such a calming, floating, whimsical little ballad but, the more I listen to it the more I recognise the talent that came with making this track seem so effortless.

I can hear this cheeky smirk of confidence all through your delivery. You've split your bars in these alternating rhythms just like JID do so well, which means, as I'm listening I'm holding on to each lyric to keep up. This helps me appreciate all the lyrical nods and name drops of hip hop legends that you've woven in. Also, on God, the smoke and mirrors of JUJO's production with those slithering horns are a time warp, it transports me to that magic show in your video clip. To bounce back in time but to sound fresh is a tough thing to do, but you've nailed this transportation trick.

You've made a track that makes me feel like I'm a stream of warm light coming through a terrarium. It's cozy and nourishing, braiding together the weird pop that sits between Darwin Deez and Rex Orange County. I really like your addition of these soft clicks and chimes but, my favourite bit is the buzzing synth taps popping up now and again. You've captured and bottled up that perfect summer afternoon haze - it's freedom and dreaming without the weight of worries.

You've captured that reaching, uncomfortable feeling when searching for a secure home in a person or place within this track. It's like when you're doing a big drive along a coastline - of course, it's pretty, the way it blurs into one bare, long running landscape but, due to all this unoccupied space in your mind all that's left to do as you roll across hundreds of k's is to think. It's so beautiful how you bend the chorus vocals in and out of the verses, giving that breath were just the words are hanging on their own for a moment. Although it's a song about uncertainty, hearing someone process these familiar and usually isolating feelings is comforting.

You've tapped into an Alice in Wonderland dimension on this track. Just like Amen Dunes and Beach House, you've got these floating, sliding bass lines and the distant, echoing vocal that creates this beautiful, whining melancholy. This is music that sets everything in slow motion as I fall down the dark rabbit hole, and I'm embracing it.