Acoustic guitar based beat sounds hella 2001 before that Pierre Bourne-Type beat comes in. Classic immigrant upbringing story in the verses gives an insight into June's background.

B. Brown stays prolific and seems to be able to stretch his voice and delivery farther and farther with each track. I appreciate very much the ability to turn and twist the voice into the appropriate tone for the message the the snearing, snarl on "What Kingdom?" works well to stuff ire and ridicule into every line. Love the "yeah nah yeah nah" at the start and I feel this is solid step towards the realisation of the vision, whatever that may be.