Tell us about your music. How did you develop your sound?

We all come from different places musically so we weren't really predisposed to having a certain sound. When we started out we didn't have a specific genre or sound we were aiming for, but our playing styles eventually blended into where we're at now. Some of our shared musical tastes include Wilco, early Kings of Leon, Courtney Barnett, The Strokes, Pixies.

What's your greatest source of inspiration for making music?

Caleb says a lot of his inspiration (especially lyrically) comes from processing emotions and life experiences. Music as a means of catharsis is something we can all relate to. When some feeling or abstract 'thing' hasn't been dealt with, song writing definitely seems like a great outlet for it. In a more general sense we're all inspired to keep making music because of how bloody special it feels to connect with other people through it. Be it with each other or our fans, it's real great.

What can punters expect from a Spacey Jane live show?

We try really hard to make our gigs a safe and inclusive space for everyone involved. When we feel like the crowd is being respectful and looking out for each other, we really give it our all. Also, lots of hair flips from Ashton. And sweat.   

What's the best advice you've been given and who was it from?

One piece of advice that’s stuck with us was from a really great friend in a really great band that have had been killing it for over a decade now. It’s a simple one. He just said to ‘keep writing’. No matter what, always, always, always writing and creating. Can’t really fault it, and it’s always in the back of our minds. Thanks Will.

What Australian track would you play to cheer up someone who was crying?

‘Catch My Disease’ by Ben Lee (thanks for reminding us that this exists).

What Australian track would you play to someone to make them cry?

Any of Julia Jacklin's tracks - namely ‘Don't Know How to Keep Loving You’.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

‘Since I Left You’ by The Avalanches.

What was the last local gig you went to? How was it?

Jack Davies and the Bush Chooks put on a mini-festival for their EP launch, with a heap of great local bands. Jack is a very special songwriter and has a group of amazing musicians who are even nicer people.

Tell us about the bands or people in the Perth music community that inspire you.

Stella Donnelly is really putting Perth on the map internationally, and she's done a great job of promoting safe and inclusive gig spaces for everyone. She does an awesome job championing artists of all backgrounds at her shows here in Perth, and she's really brought up the standard of diversity to something the scene can be more proud of! Great Gable are one of Perth's hardest working bands, without a doubt. They've been at it for a little while and they're consistently on the up & up. It's awesome to see them succeed so much over the last few years, they're a bunch of awesome guys who kill it live & write great songs.There's a heap of other favourites that have always and continue to make Perth one of the best places to play & experience live music! Seriously WA music rules, and we wear the badge with pride.

What are your plans for 2019?

We're heading back into the studio to record what will hopefully become our first album! No promises there. It's just a lovely goal to have. We'll definitely be touring nationally at least once more this year, this time around has been too good to not repeat!

Tell us about your music. How did you develop your sound?

Its taken me a while to develop my sound, but I've enjoyed the journey! Countless trips back and forth from America going in any and every session I could find. I first started off a few years ago wanting to do folk; inspired by Fleetwood Mac, Joni Mitchell, Sara Bareilles. But after being in LA for a while and trying to cope with its brutal/lonely nature my music took a bit of a darker turn. I still draw a lot of my melodic inspiration from those artists but the production and undertones are not as organic and more electronic driven. Now I draw a lot of my inspiration from artists such as Lorde, Banks and Sasha Sloane.

What’s your greatest source of inspiration for making music?

Probably everything. I mean obviously, I'm so in love with music and the feeling it gives me. But a lot of my inspiration comes from my boyfriend and my family. They give me so much strength and I draw so many of my experiences from them and write about them. They are also the reasons I want to succeed in this business. 

What can punters expect from a CXLOE live show?

A dark and brooding set with musical highs and lows. Dope lighting with songs you can sing along to and cry to. I love taking my listeners on a journey as I feel I'm quite honest as an artist so I don’t mind letting people in.

What’s the best advice you’ve been given and who was it from?

To work SMART, not hard (obviously work hard, but you get the point haha) It was given to me by a friend and artist I really look up to Will Singe.

What Australian track would you play to cheer up someone who was crying?

'World of our Love' by Client Liaison.

What Australian track would you play to someone to make them cry?

'Comfortable' by LANKS (it's quite a hopeful song but for some reason, I always end up balling my eyes out!).

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Holiday' by KOTA BANKS DUH!

What was the last local gig you went to? How was it?

I'm living over in LA at the moment so the last local Artist I saw was Aussie singer-songwriter Bobi Andenov. He performed at a local event called School Night in Hollywood and totally crushed it!! His vocals are insane and his songwriting is next level!!

Tell us about the bands or people in the Sydney music community that inspire you.

Oh gosh, there are so many. I'm so inspired by JOY and Jack River, they’re just totally running their own race and I LOVE IT! There are also two women in the music community that really inspire me as they are the most genuinely supportive women I have come across.  Nina Las Vegas and Kota Banks. They are both so encouraging of women in the music industry and don’t see other artists as competition. Which is what we need more of!! I adore these two so much. And OBVIOUSLY my manager Sarah Donelly she is a BOSS I don't know how I got so lucky.

What are your plans for 2018?

To protect my peace over here in LA and write awesome music!!!!

Tell us about your music and how did you dvelop you're sound?

We like to think our sound is bright and jangly and sorts of stuff like that. We developed it from drawing heaps of inspiration from artists that could make big sounds such as DZ Deathrays and Violent Soho but then we really frothed the energy and pace of Skegss sides of things so we draw from heaps of stuff. Our greatest source of inspiration in making music has to be just going out and experiencing everything we do together but with a song wrtitng lens on. It’s pretty funny going to parties with each other then by the end of the night having a new song that we have wrote about the stuff we’ve liked about it and stuff we’ve hated. Also we love drawing in the area of Jervis Bay to our inspiration cause it adds a bit of sentiment to it which is sick. If you're expecting a ‘all went to plan’ performance then you're very wrong, we have so many problems and stuff ups but the crowd seems to love it but the energy is always present haha. Definetely a more pissed crowd and a more pissed Debbies is a funner show thats for sure haha.

What’s the best advice you’ve been given and who was it from?

Best advice we have gotten is probably from Robbo’s dad, something like “don't let your heads get big” kinda reminds you not to take it too seriously and that we just love making music for how much fun we have.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Definitely 'Down Under' by Men at Work, gotta put on a song that's going to keep the dance floor pumping let's be honest. 

What Australian track would you play to someone to make them cry?

'My Happiness' by Powderfinger definitely gets us in the feels. Ever since music classes in Year 8 we have frothed it and always chuck it on, I reckon you could get someone to cry from it easily.

What was the last local gig you went to? How was it?

Last local gig we went to was at the Husky Community hall, it rarely has any gigs on but this local punk band Rat Coffin was playing and we still look up to them heaps. It’s sick to see how the older guys do it and take ideas for our own shows its punk as. We really want to pack that place out one day, it would mean alot to us. 

Tell us about the bands or people in the Jervis Bay music community that inspire you.

There’s only really one band that inspired us to kind of kick off our push for a music scene in the Jervis Bay area and that was Rat Coffin. We went to a gig before we were even Debbies and they just made Robbo and I get so keen to record and start playing shows.

What are your plans for 2019?

For the last end of 2019 we just want to enjoy it, we are finishing up school at the moment then getting right into it at Yours & Owls festival then jumping on the Surf Trash ‘Friends’ tour on the Melbourne and Sydney leg. Hopefully a new single lies on the horizon before the end of the year, which we will then dig into our first EP for hopefully early-mid 2020!

Tell us about your music. How did you develop your sound?

We started off the same way most young punk bands do. Lots of Green Day, Against Me, The Menzingers etc. We were all high school emos. That has always played a part in our sound, putting us on the melodic, emotive side of punk more so than the chordal, political origins of the genre. The sound is still developing as we grow. We listen to grunge, hardcore, folk, dub reggae, trance, world, blues, and lots of country. It’s fun to listen to what people outside of your immediate genre are doing that makes them special.

What’s your greatest source of inspiration for making music?

Listening to more and more music every day. In recent years, the online accessibility to new obscure music is so cool, we can digest music from all over the world and sift through music we otherwise never would have found. More people are pushing boundaries and saying goodbye to genre “norms” and that is super inspiring to us. We never feel like we’ve got to stick to a certain concept.

What can punters expect from a semantics live show?

Lots of yelling, lots of headbanging, a couple of tears and way too much fun! Energy is what makes a show, so we won’t always play our parts perfectly, you can listen to our tunes at home and enjoy precise recordings, but we aren’t sacrificing a punk rock performance for that. I don’t think its what people come to our shows for.

What’s the best advice you’ve been given and who was it from?

The best advice we have received is to barrage Unearthed with our activity. Our incredible friend Luke Morgan stressed the opportunities we could gain if we took this seriously and let the curators know we exist. Since then, no one has reciprocated our efforts better than triple j and Unearthed.

What Australian track would you play to cheer up someone who was crying?

I’d blast the entire Novos album by The Gooch Palms. I break out in dance every time I listen to it. There’s something about the surfy, punk reinvention of The Misfits, The Ramones and Elvis Presley ballads that is just irresistible.

What Australian track would you play to someone to make them cry?

'Boys Will Be Boys' by Stella Donnelly is a tearjerker. The lyrical depth and intensity tied in with her sometimes delicate delivery and belting vibrato is almost too much. Incredible song, gives me the shivers every time I play it.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Easily 'Broken Leg' by Blue Juice. Most underrated song of the 2000’s.

What was the last local gig you went to? How was it?

Half of us went to the Waax album launch at the Triffid, all we can say is… wow. Insanely energetic band with mountains of talent and fresh musical ideas, they’re a band we really look up to.

Tell us about the bands or people in the Brisbane music community that inspire you.

Brock Weston (drummer of Bugs and producer at Bedlam) is an infinitely wise and creative individual with great taste and pure enthusiasm for music. Bugs in general are a pretty incredible group. They have given us a hand spreading the word about us and are one of the most talented and deserving groups in the country. We’re also head over heels for Voiid who are long-time friends of ours. Seeing them grow and kick milestone after milestone so unrelentingly is so inspiring and so much fun to be around.

What are your plans for 2019?

We’ve got our gigs booked up for the rest of the year with some amazing bands (Press Club and Lazy Susans notably) and we’ll be writing new tunes in the interim! This year has been hectic already, we want to keep the ball rolling and hit 2020 prepared for even more action!

Tell us about your music. How did you develop your sound?

I started out singing in small pubs and bars in Mornington, I was singing along to a guitarist until I ended up branching out on my own to become a solo artist, it was then that I started to learn the keyboard and percussion and started looping it together.

What’s your greatest source of inspiration for making music?

My biggest source of inspo when writing/making music is other music (no specific artist or genre each time maybe be different) and also my friends and the people I and writing about.

What can punters expect from a TONES AND I live show?

I hope all my live shows are full of energy and people absolutely just get wild with me.

What Australian track would you play to cheer up someone who was crying?

ADREAN EAGLE, ‘A.O.K’. 

What Australian track would you play to someone to make them cry?

Meg Mag, ‘Roll Up Your Sleeves’.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Anything from Confidence Man because every track is f**king hilarious so I would have a good time.

What was the last local gig you went to? How was it?

The Beddy Rays, they are Ridiculously talented. Would go again!

Tell us about the bands or people in the Mornington Peninsula / Byron Bay music community that inspire you.

I am inspired by the musicians in Byron bay and the Mornington Peninsula. There are so many great musicians everywhere and everyone’s giving it a really good crack. The buskers in Byron live off music so that’s wicked in its own right. A lot of them live in their vans and play at night, build a fan base, the crowds get bigger and bigger. It’s an true life style that really works.

What are your plans for 2019?

My plans for 2019 is to keep busking, keep playing, keep writing, stay happy. I would love to play some overseas shows or ever busk overseas. Right now I am just really excited about the opportunities I have been giving over here and I want to try and experience as many new things as possible .

Is RAT!hammock a real band?

https://www.facebook.com/RAThammock/videos/876403699219775/ - watch the documentary and decide for yourself. (the answer is yes)

Tell us about your music. How did you develop your sound?

Wrote heaps of punk songs at the start, then decided we wanted more emotional depth so wrote a bunch of sad/folk songs then realised we wanted people to have fun at our shows so I tried to write funny upbeat songs like Dan Kelly. Nowadays I try not to think about it too much. 

What’s your greatest source of inspiration for making music?

As a songwriter I am the most inspired by other music. When I hear something great or go to a great live gig it makes me want to pick up my guitar and write. I subscribe to the idea that the best inspiration is exploration. So generally if I want to be inspired I set myself a challenge, a few strange words I want to work in to a verse or I’ll work out the chords to my favourite Simon & Garfunkel song. Normally by the time I get half way through, I’ve found something new of my own in it. This approach means I can play up to the halfway point of a heap of Simon and Garfunkel songs now, so that’s cool. 

What can punters expect from a RAT!Hammock live show?

Expect the unexpected. We’ve made a smoothie on stage, hosted yurt trivia, and have our own theme song. It’s a real time. 

What’s the best advice you’ve been given and who was it from?

‘Get your hand off the stove’ - Mum in 1999.

What Australian track would you play to cheer up someone who was crying?

'Vitriol' by Bluejuice. Simply put, this track slaps. 

What Australian track would you play to someone to make them cry?

Alexander Biggs with 'The Worst We’ve Ever Been'. It’s a devastatingly good song. 

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Magic magic magic magic magic magic magic magic fountain by Art Vs Science, every day of the week.

What was the last local gig you went to? How was it?

Last local gig I went to was Feelds’ Kill The Moon single launch. Ro and Eaglemont supported.  Every single act on that line up has the voice and the song chops to fill stadiums.

Tell us about the bands or people in the Melbourne music community that inspire you?

We’re super fortunate to be a part of such an amazing community. We’re lucky enough to have recorded with a great team in Mickey Cooper of Kilns, Sean from Obscura Hail, Hannah Blackburn and Merpire. Tram Cops release some of the most underrated music going. Tiny Little Houses, Angie McMahon and Alexander Biggs are all absolutely slaying it. Our picks for who to keep an eye on next are Hugh Fuchsen/Hotel Fifteen Love, David Western, Yes Yes Whatever and Chitra. 

What are your plans for the rest of 2018?

Oh Pep! are the best and have decided bring us along for their national album tour. I'll be heading around the country with them through December. Apart from that we’ll be doing heaps of writing and recording, getting the next batch of tunes ready for some more releases to come early 2019. 

Tell us about your music. How did you develop your sound?

All of our tracks begin on Nicks Korg Poly 800 which has such a genuine bank of incredible sounds, when we find one we like, we go from there. Other than that our sound developed quite naturally without following too many rules. Our first track "Perhaps I Killed A Tiny Stunt Double" came out all 80's sad pop. The next few had some face melting guit. solo's following 'Stunt Doubles' lead. "Let's Hug Longer" was a straight up dance pop surprise. It usually takes us a couple of days to write/record a track, we like our pace. There is lots of freedom on both sides to be upfront when we don't like an idea, or on the flip side, really claim an idea if we love it, shared writing has never been so fun.

What's your greatest source of inspiration for making music?

Our friendship. I think living in different cities makes the times when we DO get together to make tunes more special, we always have such an energy! I trust Nick so much and honestly love everything he writes. Most of the lyrics are taken from conversations I have with people, or things I overhear them say, so by the time I fly to Adelaide and head into Nick's studio, I have a list of bangers to share and get the lyric writing happening!

What can punters expect from a Heaps Good Friends live show?

Heaps Good Fun!! This project feels nice an instantaneous. We're opening the window and this music is coming through. When we play live we're aiming to pull off the same trick, just with all you guys helping with the window opening and enjoying whatever comes through!! Like a wise pair of boys once said: 'Jump around, jump around. Get up, get up and get down.'

What's the best advice you've been given and who was it from?

Nick: My mate Shannon told me if you want, you can turn the sound of that annoying kid yelling on the train into the energy that feeds you. It was a killer perspective change. Freed up a lot of mind space. 

Emma: "Emma, the world needs your smile" - Mum to me on the phone the other day when I was in a crap mood. Love you mum. 

What Australian track would you play to cheer up someone who was crying?

Nick: "Parlez Vous Francais?" - Art vs Science

Emma: "Fruit" - Rainbow Chan. Or the outro to "All In Colour" - Grace & Innocence. On repeat. For 15 minutes. 

What Australian track would you play to someone to make them cry?

Nick: Hmmm...hard one. Silverchair's "Ana's Song" is a heavy jam on a few levels. I cried watching Nai Palm but that was on a 'touched by angels' tip...no sadness happening there.

Emma: "Exist" by Vital Signs. More like an - embrace the cry then we can move past it as we float to the middle of the ocean.

You're the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Nick: Right now? Flume "Never Be Like You" is statistically proven to destroy that floor. Otherwise Alison Wonderland "I Want U" bangs in the best way.

Emma: I have a coupla friends who would cheer louder and dance harder if I chucked on Killing Heidi "Mascara" haha. The mid-90's baby's would drift away, but we'd take up the whole floor then thank you very much.

What was the last local gig you went to? How was it?

Nick: Last local gig was a Warped Covers Party at The Northern Sound System in Adelaide. Heaps of local champs forming funsies bands to drop tunes from mega faves of the noughties...purty fun times.

Emma: Big Sound. Where do I start. Clairy Browne was hard to stop listening to. Mallrat then became the soundtrack to the beach that weekend, and Totally Mild I wrote down in my iPhone notes as 'Heavenly Pop'.

Tell us about the bands or people in the Adelaide music community that inspire you.

Adelaide music scene is SUPER fun at the moment. Loads of bands all lifting their game...so to start, gotta tip cap to the whole industry for inspirational growth overall! Obvs TK, Bad//Dreems, Grenadiers, West Thebarton Brothel Party all doing mental good all over Aus/Internationally...But Mio, Electric Fields, Wasted Wanderers, Skies, Joy Sparkes, Ross McHenry!, Playback808....heeeeps. Heeeeeeeeps. Heaps are heaps good. Luke Penman! Spoz! Sam Wright! Sharni Honor! Faaar OOUUUUUUT. Make it end!!

What are your plans for 2017?

Write more. Live shows. More film clips. Convince HAIM to bring us on tour with them.

Tell us about your music. How did you develop your sound?

For me the TOYOTOMI sound is a reflection of my environment which is always changing. My sound is something that is continually developing and it's quite impulsive. It’s a collection of my fantasies, personal issues, life stories, obscure memories and other stuff. I find it difficult defining my music because it’s something very subconscious for me and because I try to make music that can have a different form of significance for each listener. I suppose you just have to listen to know.

What’s your greatest source of inspiration for making music?

My surroundings. From the people I meet, places I go, sounds I hear, feelings I experience. I like using my five senses man, sometimes six. Also I can’t forget my friends, them as individuals inspire my music a lot.

What can punters expect from a TOYOTOMI live show?

I’d like to think that not all TOYOTOMI shows are the same but we do keep it consistent with the great higher frequency vibes, exceptional song transitions, outstanding smoke machine action, lighting complimentary to sonic experience – a great production really. Haha nah I just have a lot of fun serving the people and hope that my smile is infectious.

What’s the best advice you’ve been given and who was it from?

My Mum told me to be balanced in all aspects of my life. I like that a lot.

What Australian track would you play to cheer up someone who was crying?

“Find Some Friends” by No Nomad. I miss you Louie!

What Australian track would you play to someone to make them cry?

I think I could make someone cry if I played them my song “Rust”. Full band and all, I think I could do it.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

“Swipey” by Llehna. Probably just play the whole Llehna’s World project top to bottom.

What was the last local gig you went to? How was it?

I haven’t been out in a bit but I think it was a No Nomad gig at The Bird and that was T R E M E N D O U S! A lot of cool gigs around Perth but I’ve just been trying to fix my sleeping pattern man.

Tell us about the bands or people in the Perth community that inspire you.

I’m grateful to be friends with most of the Perth people that inspire me musically. People like Max Black, Llehna, Seul, Morph, JCAL, Louie White, that’s really family. But outside music my mother and my aunt really inspire me, all my immigrants inspire me, the working class inspires me, your struggle inspires me!

What are your plans for 2019?

I got plenty singles on the way, more videos, more shows and maybe a project. I wrote songs all this year so I’m filling everybody newsfeeds with new songs all 2019. Next year I plan on being happier, more grateful, more loving, more present and I also plan on signing up to do yoga classes, maybe.

Tell us about your music. How did you develop your sound?

I guess it started simply by growing up with a father as a rapper, a mother as a singer and a bunch of uncles that could play guitar. Being constantly surrounded by music I along with my older brother would always be performing or writing, from as early as 10 my brother, cousin and I had a rap group. At fourteen a lot of my cousins and I were squeezed into a tiny room just to spend hours writing and recording every afternoon. I feel like these things mixed with the study that I put into the music and the greats of the music over time are really what has helped me develop my sound so far. That, keeping my pen sharp and working with great producers.

What’s your greatest source of inspiration for making music?

For me, anything can be a source of inspiration. But the greatest would be my community, Bowraville. These stories and feelings that I share, either come from a personal point or draw inspiration from what my people go through. Knowing that I have a voice that can not only be one for my community, but one people outside of my community can relate too is something that constantly pushes me to remain locked in.

What can punters expect from a Tasman Keith live show?

A lot of energy, a lot of truth and a bunch of mission references.

What’s the best advice you’ve been given and who was it from?

There has been a lot. But either when my father told me that when it comes to business and music, never show your full hand, keep a few tricks up your sleeve. Or when my great-grandmother told me to work for it. Simple as that.

What Australian track would you play to cheer up someone who was crying?

Tasman Keith - My Pelopolees.

What Australian track would you play to someone to make them cry?

Birdz - Testify.

If that doesn't make you feel a way, I don't know what will.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Tasman Keith - My Pelopolees. Everyone yelling CRB (Cemetery Road Bowraville) is the key to a great party.

What was the last local gig you went to? How was it?

Barunga Festival. At the start of this year, I lived in Darwin at Studio G for two months so it's local enough haha. But yeah, Barunga was amazing. If you are reading this, that festival is a must. Shout out to the Skinnyfish fam.

Tell us about the bands or people in the Sydney music community that inspire you.

To be completely honest, for the past 6 months I’ve been so focused on finishing this project that I haven’t been looking anywhere else. But I’ve always appreciated that there seems to be an overall general respect that the Sydney scene has for each other, that and the work ethic a lot of artists here have is inspiring and keeps me motivated.

What are your plans for 2018?

Watching the current single ‘My Pelopolees’ do its thing, which we have some visuals for as well. The project I’ve been working on with James Mangohig and Nooky is in its final stages and we have already begun to roll that out, so the release of that is a major part of 2018 for me. More visuals for the other singles I have on the way, and a bunch of shows as the music comes out, and of course working on the next, staying one step ahead.

Tell us about your music. How did you develop your sound?

Simplicity I think is at the root of our music, that all comes from our love affair with Green Day as kids, and only knowing 3 chords when got together so our songwriting capabilities were limited. But it’s always been a bit fast and a bit messy. Our sound has developed with our own personal taste. 

What’s your greatest source of inspiration for making music?

When we wrote our EP we had just moved to a big city, we were living together for the first time, partying a bit much so that experience gave us a bit of inspiration. A good old fashioned break up also does the trick.

What can punters expect from a Bakers Eddy live show?

We like to test the strength of our equipment, we like things to get a bit messy on stage, a bit hot and heavy. I did this one sick as high flying karate kick connecting with the ride cymbal, but no one noticed which has been bumming me out a bit.

What’s the best advice you’ve been given and who was it from?

I think the best advice was “don’t listen to everyone’s advice”. When we were younger It felt like everyone had an opinion on how we should have done “this” thing or “you need to do” and on and on. I don’t think that helps your confidence. I’m not saying we don't listen to advice full stop, just not the dumb shit. Do you, baby.

What Australian track would you play to cheer up someone who was crying?

 Love Online by The Don. I think fat bass licks put a smile on anyone’s face.

What Australian track would you play to someone to make them cry?

 The Void by Tiny Little Houses is a good one of you want that good self pitty, “I’m a piece of shit” sob. Late night, alone with a dart and cheap wine is where the song really blooms.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

There would only be one song playing to start with. Can’t get you out of my head Kylie Minogue.

What was the last local gig you went to? How was it?

Got to see Birdhouse and Porpoise Spit last night who were both disgustingly good.

Tell us about the bands or people in the Melbourne music community that inspire you.

The scene here is amazing, it’s been an inspiration being a part of it. And the diversity of the music coming out is great.

What are your plans for 2018?

It’s hard to predict what next years going to look like for us right now, kind of just riding out the new single, getting this year done, then we will see aye. Love to drop an EP.

Tell us about your music. How did you develop your sound?

I began learning Spanish classical guitar when I was very young. It was really invaluable as it helped me to understand melody and dynamics but eventually blues & soul music stole my heart as a teenager. I loved everything about blues guitar, I found myself playing along to BB King and Led Zeppelin records. At the same time, I was really inspired by soulful voices like Nina Simone and James Brown. I went through my first heartbreak when i was in year 12. I turned to songwriting as a way to process my emotions. I have fond memories of sneaking out of home on school nights and thrashing Jeff Buckley’s album ‘Grace’ through the CD player in my car. John Mayer’s album ‘Battle Studies’ had some pretty strong rotation too. This time was really important for me, I began to work out how crucial music and storytelling was for my soul. Over a long period time I worked out that this was a part of who I was and I couldn’t live without it. I’ve caught the bug and haven’t stopped since.

What’s your greatest source of inspiration for making music?

I’m really inspired by life, whether it's my own or others experiences. I’ve written songs about a whole spectrum of human emotions; I can be inspired by anything if it moves me. My writing is also really affected by my mood, or just listening to some really dope music. Inspiration strikes at really odd times and usually I get my iPhone out, press record, and go from there.

What can punters expect from an Ollie English live show?

You can expect a pretty diverse bunch of songs, from ballads to upbeat rock grooves. What I notice is that my live shows give people a chance to slow down and hug the person next to them, and then the next minute, i want to make them want to get up and groove. I’ve always found that people who talk to me after the shows have each had their own unique experience with the stories I had told.

What’s the best advice you’ve been given and who was it from?

When my grandpa passed away, I went into the ward to see him for the last time and his last words to me were ‘take care of each other’. This influences how I approach everyone and everything in my life..

What Australian track would you play to cheer up someone who was crying?

'No Ordinary Life' by Matt Corby. If I could musically explain a rainbow, it would sound like this song.

What Australian track would you play to someone to make them cry?

'Took The Children Away' by Archie Roach.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Overrated' feat LILLI by Kuji Koo! Such a banger. You can download their track on triple j Unearthed.

What was the last local gig you went to? How was it?

I was lucky enough to play and attend a brilliant local festival called Handpicked. Such a cruisy vibe out in the vineyards of Lake Breeze Wines in Langhorne Creek. I got to share the stage with amazing local artists Laura Hill, Neon Tetra and the Sundance Kids. It also featured incredible Australian talents Boy & Bear, Vera Blue, Ball Park Music and Alex Lahey.

Tell us about the bands or people in the Adelaide music community that inspire you.

Adelaide is pretty tight knit community. It feels like a big family. I’m inspired by how much quality music is being produced in SA. First up, Surahn is a big inspiration, he’s an incredible songwriter who’s made a mark on the world with his music. He’s written for Usher and toured with Empire of the Sun. Laura Hill inspires me a lot, I met her this year at a gig we played together. I was struck by her beautiful voice and relatable songwriting. Wanderers are so bloody groovy. They’re on tour right now! You gotta catch these guys live. Dusty is one of the best guitarists I’ve ever seen. Mane is another inspiration. She’s creating some really great pop music. Her new track ‘Chasing Butterflies’ really grabs you with her pipes, the strings are so dope too. I’m a big fan of Timberwolf, such a unique voice and he’s written some incredibly honest music. His new single ‘Proud Silence’ hits really close to home, I also caught mum jamming to it the other night! Neon Tetra, are bloody funksters and a ½. I have so much fun watching them at their live shows, so good! Such great tunes. Tales are beautiful musicians- recently known as ‘The Winter Gypsy’. Their song ‘Took Me By’ is one of my favourite songs. So excited for their next release. Also, Jordan Ruru. Big things. You have to check her out. Amazing.

What are your plans for the rest of 2018 / early 2019?

A lot of recording and I’ll be releasing my EP early 2019! So excited to support the Rubens this Friday with my full band. I’m also planning my first national tour for early 2019, including a festival appearance at Womad in March. I still can’t believe I’m playing WOMAD and supporting The Rubens, a dream come true. There’s a lot of hard work to go but so much to look forward to.

Tell us about your music.

Well, I’ve been making music for quite some time now and it’s what I love doing. But, I always struggled to find purpose and meaning to my work. Aside from Music I’ve had a keen interest in the issues we are currently facing here on earth. I wanted to be involved in finding solutions to those issues and that's why I blasted myself off into space. Hopefully, the songs I create on each new planet will help create awareness and get people to jiggle their bodies about. 

How did you develop your sound?

Well, I guess my music tends to reflect my surroundings and for the First LP “FRÖÖTI” I was in a really bubbly, colourful and chaotic place whilst creating it. As far as sound design goes I created the sounds for this project by making a whole lot of mistakes and running with the ones I liked the most.

What’s your greatest source of inspiration for making music?

I’m heavily influenced by my environment, the things I read and research as well as the people I surround myself with. I’ve been fortunate to work closely with some really talented musicians.  

What can punters expect from a Yù Yī live show?

You can expect to be taken on a super quirky funk filled trip into the Yù Yī galaxy and we’re continuously working towards making it an even more immersive experience for everyone. 

What’s the best advice you’ve been given and who was it from?

Ahhhhh well I’m a bit spoilt for choice but I think it I would have to say the best advice I’ve ever received was from my friend ANH. He told me to be patient and build a library of music. At the time I was really eager and uploading a lot of really basic half finished music. So after that, I decided to take the time to go full hermit mode and set my sights on releasing finished music.

What Australian track would you play to cheer up someone who was crying?

So here's the game plan. Jump in the car, wind down the windows and go for a drive while blasting 'The Car Song' by The cat empire.

What Australian track would you play to someone to make them cry?

I don’t want to make people cry! (ʘ‿ʘ)ノ✿

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Definitely PNAU - 'Wild Strawberries', this was on my first ever cd actually. I got PNAU for either my birthday or Christmas that year.  

What was the last local gig you went to? How was it?

Other than big sound, I popped down to earth to check out a little Sofar Sounds gig in Albion where they showcased a few local Artists in an unplugged setting. I make a lot of electronic music so it was nice to break away from that for a night to sit on a cushion and listen to some acoustic stuff.

Tell us about the bands or people in the Brisbane aka planet fruity?!!? music community that inspire you.

I’ve been spending most of my time on FRÖÖTI these days so I actually haven’t had that much time to explore and collaborate outside of that. On planet FRÖÖTI, however, I’m working closely with a few friends of mine. One of them being the extremely talented vocalist named Ellen who was featured on the first track PEACHES. We’re basically partners in crime on FRÖÖTI and I can't wait to travel with her to different planets within the Yù Yī Galaxy. Also, I can't forget to mention my close friend Zeke Foster who you’ll be able to catch on stage with Ellen and I at Listen Out. 

What are your plans for 2018?

Things are going so fast. I didn’t think I’d be playing at Big Sound, let alone Listen Out. It’s making it kind of difficult to make concrete plans but nonetheless, I’m over the moon. I have some new music coming out and I’m really excited to expand the live show as I’ve been working pretty solidly, making the music for quite some time now. Aside from that, every day I’m getting bigger, stronger and smarter so I can care for our special little planet.  ୧( ◉◡◉)୨

Tell us about your music. How did you develop your sound?

We currently have 3 singles out with one more not too far away. Initially we bonded over our shared influences, but it molded into what it is now from playing a lot of shows early on.

What’s your greatest source of inspiration for making music?

Our parents all loved music so it was there from the start. Since then, meeting various teachers and friends involved in music has lead us to pursue it as something that’s now a major part of our lives.

What can punters expect from a Sweater Curse live show?

Lots of intentionally stupid awkward jokes that aren’t meant to be as unintentionally awkward as they are, and some songs too.

What’s the best advice you’ve been given and who was it from?

Dom Miller (our booker) told us (in different words) to ‘Let things happen naturally. As long as you love what you’re doing and you’re learning, good things will happen.’

What Australian track would you play to cheer up someone who was crying?

‘Live It Up’ by Mental As Anything.

What Australian track would you play to someone to make them cry?

‘Always Falling’ by Cloud Tangle, ‘Forfeit’ by Keeskea, ‘My New Dress Up Shoes’ by The Smith Street Band and ‘Boys Will Be Boys’ by Stella Donnelly.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

‘Untouched’ by The Veronicas, ‘K Bye’ by Raave Tapes and ‘Tower Of Strength’ by Simi Lacroix.

What was the last local gig you went to? How was it?

Keeskea and Cloud Tangle at The Jubilee and Start Together at The End Bar. All are amazing acts that we are lucky enough to call our friends.

Tell us about the bands or people in the Brisbane music community that inspire you.

Dom Miller, Ruby Jean McCabe, Dan Condon, Sam Cromack, Hatchie, Concrete Surfers, An Horse, Pat Balfe, POOL SHOP + Major Leagues, Grace Pashley and the 4zzz team, Brodie Popple, Mel Tickle, Miss Blanks.

What are your plans for 2018?

We have an EP on the way that’s we’ve been working on with Fletcher Matthews. A string of shows with acts we currently love and BIGSOUND in September!

Tell us about your music. How did you develop your sound?

It's hard to say but I think my music is probably a mix of folk lyrics and structures with rockier or heavier tones. I just started out writing my songs on acoustic guitar when I was younger, then it kinda just got louder and louder. Now I'm really into playing electric with a band, but it's kind of the same singer-songwriter stuff underneath.

What’s your greatest source of inspiration for making music?

Going out to watch live local shows! I make sure I see a lot of live music in Perth. There are so many great local bands, listening to their ideas and seeing how they do stuff reminds me how much i love playing.

What can punters expect from a Carla Geneve live show?

Some noisy guitar, some awkward stage banter and some (hopefully) loveable stuff-ups.

What’s the best advice you’ve been given and who was it from?

"Mistakes aren't always a bad thing", my Dad.

What Australian track would you play to cheer up someone who was crying?

'Our Place' by Verge Collection.

What Australian track would you play to someone to make them cry?

'Dark Art' by Jen Cloher.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Ubu' by Methyl Ethyl.

What was the last local gig you went to? How was it?

Airline Food's EP launch. So Good! It was such a great lineup of friends and music that I love! Go listen to Airline Food's EP 'Fragments in Green', it's the best. 

Tell us about the bands or people in the WA music community that inspire you.

Artists that are facing any kind of discrimination here, whether it be due to gender, sexuality, race or another kind, but keep on shredding regardless. Also, my band. They're so bloody talented in their own right, also they're always keen to play, or do something fun.

What are your plans for 2018?

We love playing live shows, and there'll be a heap more of those for sure. I think we're also going to be doing some more recording and releases, which is super exciting! Hopefully some shows over east are coming up sooner or later. 

Tell us about your music. How did you develop your sound?

I was really fortunate when it came to developing my sound. My publishers put me into a bunch of sessions with different producers so I had the chance to write a lot of different styles of music, but nothing quite fit the direction to take. I met Dave very organically without any pressures of having to write the perfect song. We just immediately clicked and our musical connection works so perfectly for both of us. 

What’s your greatest source of inspiration for making music?

It sounds really cheesy but I've gotta say hurt and hard times have gotta be the best source. Music is like therapy to me so when I've got to deal with something difficult, writing music is the best outlet. It inspires me to write happy and sad songs. Also, listening to artists like Joni Mitchell and Jeff Buckley who really know how to put their stories down in song really inspires me to do the same.

What can punters expect from a JEFFE live show?

For the time being it's just me, my guitar, keyboard and sample pad. I've been working on my dance moves a bit too! I try to bring as many elements as possible into my set. I'm actually in the process of trying to incorporate saxophone into the set as well. But hopefully, it won't be long until I can afford a band! 

What’s the best advice you’ve been given and who was it from?

It does get thrown around a lot but the saying "stay true to yourself" really does go a long way. I can't really pinpoint exactly who has said that to me, it's been a few people along the way, but it's definitely something I always keep tucked away in the back of my mind. If something doesn't feel right you've really got to question it because it's really bloody easy to be led astray these days. 

What Australian track would you play to cheer up someone who was crying?

Definitely "It's Nice To Be Alive" by Ball Park Music. A very upbeat, fun song and it immediately puts you in a good mood!

What Australian track would you play to someone to make them cry?

It's funny, I listen to so much sad music but I'm struggling to think of one!! There is a song that makes me cry... it's a song by Jack Carty called Travelling Shoes. It tells a beautiful story of lost love, you hold on to every word throughout the song and by the end of it you hit the punch line and it's just heartbreaking! 

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Oooo, that's a tough one! I'd probably play 'High' by Peking Duk Ft. Nicole Millar... it's groovy, sexy, and fun. The kind of song where you can have groups of mates going for it on the D-Floor but then the loved-up kids making out in the corner. But there are so many fun Aus artists that I'd want to play! 

What was the last local gig you went to? How was it?

Well, I've just started a tour with No Mono so the most recent was the first show in Brisbane. It was ahhhhmazing! Eliott played after me and she is just incredible! Her voice is like velvet and her songs are so heartfelt. No Mono were absolutely insane. Tom has the most uniquely beautiful voice and the crowd had such a good vibe. I'm so stoked to be touring with such talented artists! 

Tell us about the bands or people in the Sydney music community that inspire you.

I'm really loving Angie Mcmahon, her songwriting is great and she's got such a deep and soulful voice. I really like Mallrat as well, she's got a really interesting way with words and just an all-round cool vibe. 

What are your plans for 2018?

For now, I'll be on this tour with No Mono... once that is done I'll be heading back over to the UK for a couple of shows then back to Aus in December for another potential tour which is currently in the works (more info on that will come out later).

Tell us about your music. How did you develop your sound?

I (Pat), released 2 solo EPs in 2015 under my own name. Then the Sleepyheads formed a year or so later. The full band has definitely influenced the sound, my solo stuff was a lot more folky. I think it's still on the internet somewhere actually!

What’s your greatest source of inspiration for making music?

Relationships always come up a lot in my writing, which is super original hey? Not just romantic relationships though, but friendships and how certain things can effect those relationships. I've always found it way easier to write about stuff that has actually happened, rather than making up stories. I'll often take something someone says and then base a whole song around that.

What can punters expect from a Sleepyheads live show?

A lot of fun. We always just aim to have a really positive energy at live shows. We also used to drink out of gumboots, we might be bringing that back again soon too.

What’s the best advice you’ve been given and who was it from?

"If you can believe in Santa Clause for as long as you did, you can believe in yourself for 10 minutes" ~ some random person on the internet.

What Australian track would you play to cheer up someone who was crying?

"All Together" by Househats is definitely my go to happy song at the moment!

What Australian track would you play to someone to make them cry?

Sunk by Kat Edwards will break your heart and mend it again all in the space of 4 minutes.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Find me one party where "Wild Strawberries" by Pnau hasn't taken it up a notch, and I'll be very surprised.

What was the last local gig you went to? How was it?

The last gig I went to was when we played with the Bennies a few weeks ago. It was great. You cant have a bad time at a Bennies gig! The next day was very rough though. Very rough.

Tell us about the bands or people in the Tasmania music community that inspire you.

I've always looked up to the Luca Brasi boys. There approach to supporting the Tassie scene is really encouraging for younger bands. Other awesome friends doing great things are The Saxons, Sumner, Hurricane Youth, Kat Edwards and Squid Fishing. It's always inspiring watching your friends do amazing things.

What are your plans for 2018?

We want to tour a lot more. We haven't been to Adelaide yet so we really want to get up there, and maybe Perth as well? I reckon we'll try and write and record some new stuff too.

Tell us about your music. How did you develop your sound?

I’ve (Will) been writing music since i was 17 and have gone through many genres. I played a lot of metal in high school so thats really what it stems from. Not that we’re playing metal but riffs are everything to murmurmur. Everyone in the band has a broad listening taste and has been playing in bands for a long time. 

What’s your greatest source of inspiration for making music?

My inspiration is from life experience. Obviously music inspires me to no end but how i’m feeling about things is the real inspirer. I’m eating pineapple right now and it’s fantastic. 

What can punters expect from a murmurmur live show?

An intense live show with lots of hair, many riffs and our drummer Luke’s magic show. 

What’s the best advice you’ve been given and who was it from?

Be patient and don’t rush into things. That’s something that resonated with us. It can be really easy to be impatient and make bad decisions. 

What Australian track would you play to cheer up someone who was crying?

Thats easy! Donny Benét with 'Konichiwa'.

What Australian track would you play to someone to make them cry?

I made this weird Nicolas Cage remix with audio from the Wicker Man (Funniest film i’ve ever seen). Its so awful. It will definitely make people cry and fall to the ground clutching the sides of their heads. (Available on request).

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Kylie Minogue with 'Spinning Around'.

What was the last local gig you went to? How was it?

Stella Donnelly at the Northcote social club. She’s unbelievable, amazing voice, amazing performer.

Tell us about the bands or people in the Melbourne music community that inspire you.

Our good friend Lena Douglas runs YOWO, a program for aspiring young women playing music. It’s so important for programs like this to exist and she is an inspiration to so many of us.

What are your plans for 2019!
We didn't get to play many shows this year so we just want to play a heap and record some more music. 

Tell us about your music. How did you develop your sound?

We're an alt-rock band with fuzzed out guitars and a focus on melody. We've all been playing for years in different bands but since this one started we just felt that it clicked.

What’s your greatest source of inspiration for making music?

Loud guitar music from the 90's.

What can punters expect from a LOSER live show?

Restless noise.

What’s the best advice you’ve been given and who was it from?

"Don't stop a rockin'" - Homer Simpson.

What Australian track would you play to cheer up someone who was crying?

'Dope Calypso' by Violent Soho.

What Australian track would you play to someone to make them cry?

'Never Tear Us Apart' by INXS.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Working Class Man' by Jimmy Barnes.

What was the last local gig you went to? How was it?

Pagan at Northcote Social Club. They were fucken awesome.

Tell us about the bands or people in the Melbourne music community that inspire you.

Andy Hayden and the team at Poison City Records. They are always supporting unreal local music and doing so with ultimate respect.

What are your plans for 2018?

Plenty more music and plenty more shows.

Tell us about your music. How did you develop your sound?

Even though we're rooted in hip-hop, we've always loved to experiment. Some of our tracks are more trap-heavy, some are more melodic, some are centred around chunky guitar riffs. Having four members means that everyone brings their flavour to the table. We also collaborate and play shows with street rappers, grime emcees, R&B singers, rock bands, punk bands. We take a little bit of everything that we love - no matter the genre - mash it together, keep our fingers crossed and pray that it works.

What’s your greatest source of inspiration for making music?

Watching the sunset while riding the train from Hurstville station, and spending time with our loved ones and pets.

What can punters expect from a Triple One live show?

A couple of sing-a-longs, some high-quality merchandise, lots of obnoxious yelling and maybe a circle pit or two, if you're lucky.

What’s the best advice you’ve been given and who was it from?

“If a man does not have sauce, then he is lost" - Gucci Mane

What Australian track would you play to cheer up someone who was crying?

Hunters & Collectors with ‘Holy Grail’.

What Australian track would you play to someone to make them cry?

Natalie Imbruglia with ‘Torn’.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?
Depending on what type of party it is...

Sydney Serchaz - Fuckin' Oath

Riot In Belgium - La Musique

Midnight Oil - Beds Are Burning

Fraksha - Creepin' ft. Diem & Brinks

Kylie Minogue - Spinning Around

What was the last local gig you went to? How was it?
That was actually our own gig with SCK CHX, last weekend at Waywards. It started at 4:00pm, people got rowdy, we had pho for dinner, we were in bed by 9:30pm, it was mad.

Tell us about the bands or people in the Sydney music community that inspire you?
How about this for a big namedrop: Johnny Hunter, ChillinIt, Mitchos Da Menace, Fortay, Sydney Serchaz, Turquoise Prince, One Day, Big Village, Elefant Traks, imbi the girl, Hau, Slim Set, Raj Mahal, Phil Fresh, Kwame, SCK CHX, Manu Crooks, BLESSED, B Wise, and about a million other Sydneysiders making music. Also, a big shout out to all the venues like the Botany View Hotel who host our shows and give us chicken schnitzels and/or fruit platters on our rider.

What are your plans for 2018?

In July, we'll be embarking on the 'Eastconnex' tour with our good mates, Johnny Hunter. After that, we'll be dropping a couple of throwaway bangers before releasing a very sad EP in late 2018. Also, Lil Dijon is going to get a new hairstyle, so stay tuned for that. Thankyou to triple j and all our fans for the consistent support, we love you all.

Tell us about your music. How did you develop your sound?

Our music is definitely fuelled by the emotions we were feeling during the writing process. Sometimes the songs turn out bright and happy, other times they end up darker and heavier because of that. All of us have played in heavier bands than Bad Juju in the past but really wanted to get back to our punk rock/grunge roots because we all enjoyed that kind of sound when we were growing up. Each of us brings a whole bunch of influences to the table during writing and the end product is developed through a mix of those influences and what emotions we are feeling at the time.

What’s your greatest source of inspiration for making music?

One of the biggest sources of inspiration is watching other bands we love playing live and killing it. We all grew up getting down to local shows, watching bands and being a part of the music scene. We've always enjoyed being a part of it and having a chance to keep doing that in this band has been so much fun for us. We just want to keep writing music so we can get out there and do it more!

What can punters expect from a Bad Juju live show?

It's always going to be high energy for us on stage. The more people getting involved, jumping around and getting crazy, the better as far as we are concerned. 

What’s the best advice you’ve been given and who was it from?

Nick: Mum always said no matter what you do, try to be the hardest working person in the room. 

Russ: "You miss 100% of the shots you don't take - Wayne Gretzky" - Michael Scott.

What Australian track would you play to cheer up someone who was crying?

Abe: The Chats - Smoko

Nick: Australian Crawl - The Boys Light Up

What Australian track would you play to someone to make them cry?

Russ: Silverchair - Ana's Song

Abe: Crowded House - Better be home soon

Armarin: Air Supply - Anything

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Nick: Cold Chisel - Khe Sang

Russ: The Veronicas - Untouched

What was the last local gig you went to? How was it?

Russ: I've been to a bunch of shows lately, I'm not sure which was the most recent! But a standout from the last 6 months would have to be Dear Seattle at Northcote Social Club. It was sick. People went nuts and it was a great vibe.

Tell us about the bands or people in the Melbourne music community that inspire you.

Melbourne has so many hard working and talented musicians that it's hard to pinpoint one or two! We've been lucky enough to work with a few great musicians when recording our songs including Callan Orr of 'Dream on Dreamer' and Beau Mckee who used to play in 'Closure in Moscow'. They both challenged us with each track to try new things and step up our game. We learnt a lot from those sessions. We have gotten a lot of love from music fans in Melbourne so far and the triple j Unearthed crew that have given us a lot of confidence in what we are doing and that's driving us forward!

What are your plans for 2018?

We have finished recording our debut EP which will be coming out very soon. We plan to play a few shows around that and get interstate a lot more! We can't wait to release the EP and show everyone what we've been working on. We also have some awesome shows coming up with Dream on Dreamer and Trophy Eyes that we are looking forward to this month and in July! All the dates and info are on our Facebook page for anyone who is interested!

Tell us about your music. How did you develop your sound? 

I love dark anthemic Pop music and that's what I strive to create. I've always tended to write acoustically to begin with, to flesh lyrics and melodies out, that's always been important to me. However, once I started to develop production ideas and understand the technical side of things a little more, that's when I feel I found the sound I wanted to be making. 

What’s your greatest source of inspiration for making music?

I think for the most part it's personal experiences and feelings I like to draw on. But it can also come from the people I surround myself with and the hardships they sometimes go through, especially if I can relate and empathise with it.

What can punters expect from a MANE live show?

I've worked really hard on my live set this year, I think we've created a large sound that emulates the recordings but also has some organic elements that I can have fun with on stage. I'm feeling excited about it. 

What’s the best advice you’ve been given and who was it from?

I think I've been told by a few people to never really expect anything from what you create and I think it's a pretty great rule of thumb. When you start to create with certain expectations you can lack authenticity and it can create boundaries. Just doing your thing is important.

What Australian track would you play to cheer up someone who was crying?

Right now, I'm feeling like I want to say Edge Of Town by Middle Kids. It's just a really great song. I've continually smashed that track since it was released and have not gotten sick of it once. it's just really, really solid. 

What Australian track would you play to someone to make them cry?

Well, It's gotta be 'Blind You' by Didirri doesn't it?!.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Let's go with 'Ubu' by Methyl Ethyl. Such a great boogie track. 

What was the last local gig you went to? How was it?

I went to Root Down festival in Adelaide last weekend. Such a great lineup. I think it was the day the new season of Stranger Things came out and Luke Million smashed his Remix of the theme song. So much fun. 

Tell us about the bands or people in the Adelaide music community that inspire you.

There is a lot of good stuff brewing in Adelaide at the moment. Great mates Heaps Good Friends are whooshing everyone out the park, it's super fresh and what they're doing is so much fun. Timberwolf's new album is also HUGE, honestly one of the most solid live performers I've seen. 

What are your plans for the rest of 2017, early 2018?

I'm just continuing to write at the moment and planning to release a new track in the not too distant future (!!!)

Tell us about your music. How did you develop your sound?

I feel like my music takes listeners on a journey through the many experiences that I've been and continue to go through. I'm always experimenting with the type of music that I'm making and a part of my sound development has come through my production. When I started making music I told myself that if I had to learn production. And that was because I had all these ideas in my head that only I would be able to translate. 

What’s your greatest source of inspiration for making music? 

Man, I'm only inspired by anything and everything, sometimes I'll be walking down the street and I'm hearing birds chirp and for someone reason that is so dope that I have to hop into the studio get on my laptop and just make a beat from that, haha. At our studio, I'm surrounded by a lot of like-minded creatives from different fields within the creative arts and we're always bouncing around ideas which generates a lot of inspiration and creativity. It's a must to surround yourself with people that motivate and push you to be your best every day.

What can punters expect from a KWAME live show?

Fans can always expect nothing but energy at my shows! Through my setlist, I like to take fans on a journey of emotions through the music to create an experience, a story, something for them to take and walk away with.

What’s the best advice you’ve been given and who was it from?

The best advice I was given was from my brother Domba. He said, "the only reward you receive from conforming is everyone liking you, but yourself."

What Australian track would you play to cheer up someone who was crying?

Raj Mahal with 'It's Fine'. When I'm feeling down I like to listening to that song as it helps be reassure that things really will be fine and to never let negativity get the best of you.

What Australian track would you play to someone to make them cry?

Phil Fresh with 'Don't Let Me Go'. Honestly his EP 'Excursions of Love' takes you through such an amazing

journey. The title speaks for itself.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Woah, okay cool. The party is pumping everyone's jumping, I'm scrolling through Serato looking for a track to take this party to the next level and yep, there it is, Touch Sensitive with 'Lay Down'.

What was the last local gig you went to? How was it?

Last local gig I attended was Midas. Gold's at The Chippo Hotel, it was a nice intimate gig! It was the day 'WOW' came out and he brought me up on stage to perform it, shout out Midas!

Tell us about the bands or people in the Sydney music community that inspire you.

Artists such as Mel Bailey, Kymie, Phil Fresh and Raj Mahal inspire me the most in Sydney! They're all so different and bring something unique towards the Sydney music community which stands out the most for me!

What are your plans for 2018?
More music, more shows, more content, more videos,  more designs honestly everything we going in this year!

Tell us about your music. How did you develop your sound?

To sum things up as quickly as possible, we’ve been a band for not even two years and had two guitarists and two drummers leave the band in that short amount of time. We started off basically writing songs that were designed for people to mosh to and personally I was pretty tired of writing and playing songs like that. When our guitarist Pat wrote our latest single ‘Leatherman’ he also sent through an industrial version with electronic drums/synths/etc and we all thought it was great and that was the direction we should lean towards. It felt like a natural evolution for the band and an opportunity to leave all the things that were dragging us down behind and push forward with a new vision.

What’s your greatest source of inspiration for making music?

Tricky question but I’ll try and split it into two answers. I find it pretty easy to get bummed out about being in a band, sometimes I’ll play a set where I end up being really disappointed in myself because I wasn’t performing at the level I want to be and it can be super frustrating, but then I’ll watch videos of the set and see all of our friends and people at our shows losing their minds and having fun and it really levels me out. In such a short time I’ve gotten to make so many new friends, meet so many cool people and travel Australia with my best friends which is undoubtedly the best thing about making music.

Musically I’m constantly inspired by all of my favourite bands, lyrically I’m super inspired by Daryl Palumbo from Glassjaw and Keith Buckley from Every Time I Die. I spent a lot of time as a teenager listening to those bands, reading their lyrics and wishing that I could be them and now I’m able to have the opportunity to hone my craft and write and perform lyrics that I’m really proud of, albeit on a much smaller level.

What can punters expect from a Cast Down show?

I think we bring a lot of energy to the table. I’m not interested in being a perfectionist band because the live music world is so different to the studio, I’ve always wanted people to think of us as a band with constant activity where nobody stands still and we’re consistently engaging with the audience. I feel pretty confident in saying you can expect to see mic grabs, spin kicks, headbanging and people throwing fists.

What’s the best advice you’ve been given and who was it from?

Not sure it directly counts as advice as it wasn’t directed at me but there’s a book called ‘Lynch On Lynch’, which is a book full of interviews with the director David Lynch. I can’t remember the exact quote but there’s a big section about how when he was making art he would only visualise himself in the role with the idea that it makes it a complete extension of himself. When I previously mentioned some of my favourite vocalists and the fact that I spent a lot of time wishing I was them, I found myself writing lyrics and performing live and wondering “would they be happy with these lyrics?”, “would they perform like this?” and that whole idea that Lynch was talking about really helped me disassociate my art with somebody else and make it an extension of me instead, harnessing my flaws and my talents.

What Australian track would you play to cheer up someone who was crying?

The Veronicas with 'Untouched'. I legitimately struggle to think of a single scenario that isn’t made better by that song.

What Australian track would you play to someone to make them cry?

Slim Dusty with 'A Pub With No Beer'. Obvious reasons.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Hilltop Hoods with 'The Nosebleed Section'. Instant boogie maker the second it comes on.

What was the last local gig you went to? How was it?

The last one that I didn’t play would’ve been Invasion Fest 2017. That was a mad time and it is every year because so many bands and people from the heavy music scene across Australia all come to Melbourne for the weekend to watch a bunch of sick bands. Our friends in Honest Crooks put on one of the toughest sets I’ve ever seen and I got to see one of my favourite international bands The Acacia Strain for the first time in a few years too.

Tell us about the bands or people in the Melbourne music community that inspire you.

King Parrot and Pagan are at the top of my list for Melbourne bands that inspire me for sure. I don’t know any of King Parrot personally but from an outsider's perspective, it seems like they’re just making the music they want to hear and having loads of fun doing it. It’s so cool to see how well they do overseas and it’s very inspiring. I also absolutely sweat the band Pagan from Melbourne who are super unique and just the coolest band ever. Every time I’ve seen them live they look like they’re having the best time and I’m so excited for their new music.

What are your plans for 2018?

We’re playing Download Fest this Saturday then we’re on tour with Honest Crooks, Apate and Underminer throughout April. Our debut EP and much more touring will follow suit.

 Q&A

Tell us about your music. How did you develop your sound?

My sound is definitely a direct reflection of what I have been exposed to musically and where I am from , growing up in Zimbabwe, having family in the UK and now Australia , I am a product of my environment , I guess you could say my music is like a nice bowl of gumbo. You going to get all type of different flavors and ingredients.

What’s your greatest source of inspiration for making music?

I am inspired by all types of music in general , I  really don't believe there is anything obetter than being exposed to different sounds and new artists from different walks of life. I have been exposed to different cultures and different sonics and  through my different pit stops around the world I have been able to use my experiences and incorporate that into my music. 

What can punters expect from a T$oko live show?

good vibes , good feels , loads of energy and we try and keep it real live. If you didn't know who i was before i hit the stage. I definitely wanna make sure u had a blast and know who i am once my set is finished. Or at least have you asking the next person who that was or where you can find the music.

What’s the best advice you’ve been given and who was it from? 

 "Later is always greater  and its not a race its a marathon." Anonymous  Sometimes people  like to fast track there success and they get caught up in the hype. They are here one minute and gone the next because they never really had to put in the work or work at their craft. I have enjoyed the ride so far , and appreciate everyone who has even taken the time out to show a interest to this point

What Australian track would you play to cheer up someone who was crying? 

Ooh thats a tough one, I would either have to say Bernard Fanning - Wish you well.  or possibly Better - John Butler trio. That being said i think ill have to go with the home team , shoutout to  John butler and the whole fremantle maaan!

What Australian track would you play to someone to make them cry?

I'm sure. I'm sure..  Another tough one besides Ta-ku feat JMSN x Sango - Love Again. I will go with Tear us apart - INXS , i think their catalogue  was some of the first music from an Australian act i really became aware of while i was still growing up overseas . The raw emotion that pours through the track and Michael Hutchence's lyrics are really something. Outside of the success they had on a pop level,  I really believe Michael Hutchence is underrated as a song writer. lol

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Depends what type of setting I would be spinning in. If it was a throwback set i would probably go INXS - New sensation. If it was pub flows I would do Darryl Braithwaite - Horses. And if its a new age set either One Day - Not Many (Like A Version) or DZ Deathrays - Gina Works At Hearts. My crates run deep , i am sure i would have something for whatever the occasion called for. haha .. Mixmaster Soko got you. lmao 

What was the last local gig you went to? How was it?

Ecca Vandal. Me and the band Foam were handling supports. Amazing gig. Such a vibe and a blend of genres. My kind of gig:)

Tell us about the bands or people in the Perth music community that inspire you.-

Being based in Fremantle , I tend to soak up a lot of whats going on around me. Its such a melting pot when it comes to culture and music definitely Tame impala and all the other artists from Perth that have come out and done great things just to name a few.

Ta-ku

Pendulum

John Butler Trio

AC/DC

I also cant forget my brothers from Tone Youth Collective who I work with. We always try to push each other and everyone brings they own twist to the table.

What are your plans for 2017?

Just keep introducing to people who i am as a artist and what my music is all about. I have got some pretty cool stuff coming up that ill be dropping real soon.  I feel like people still haven't seen everything i can offer from a artist standpoint so that's exciting for me. I don't want to say I have been holding back but there certain bits n pieces of music which i have held back that may surprise some people so I am excited to share what I have been cooking up. Also excited to drop some new music with my squad Tone Youth , I feel like we have a good chance to really show everyone what Perth has to offer and rep the 6k in the right way. Salute to everyone who has paved the way thus far. Also look forward to playing some shows and releasing some collabs with some special people. Stay tuned.

Tell us about your music. How did you develop your sound? 

I’ve been writing songs at home on piano and guitar since I was an emotional lil teen, inspired by a whole bunch of different songwriters. I think I developed my sound by copying what my idols did on their albums, vocalists who would pour energy and emotion into their delivery, bands who weave soul and rock and country music together and artists who write great melodies and lyrics. I was always just trying to copy that.

What's your greatest source of inspiration for making music?

Probably listening to great songs by other people. I’ll be trying to process feelings and listen to music, and sometimes that will unlock something in my head and make me want to write my own song.

What can punters expect from an Angie McMahon live show?

Pop songs with a bit of rock, a bit of sad and a bit of happy.  You can also expect, two talented boys behind me with a lot of rockstar energy on drums and bass guitar, my noisy red child (guitar) and me singing lyrics that I hope people can connect with.

What's the best advice you've been given and who was it from?

Hard to say…”Make music that sounds like you,” is good advice, and maybe when Dad told me to buy an electric guitar.

What Australian track would you play to cheer up someone who was crying? 

Big Smoke – 'Best of You' - because it’s so triumphant.

What Australian track would you play to make someone cry?

Cry songs are the best ones!!! Oh Pep!’s song ‘Tea, Milk & Honey’ makes me cry if I’m feeling fragile. The lyrics feel like somebody’s hugging you and telling you to let it all out. Last time I openly cried at a gig was over Seavera’s song ‘Christmas Time’ but I’m not sure if that one’s recorded. 

You're a DJ at a party. The dance floor is pumping. What Australian track do you put on next? 

Bardot – 'Poison'. Sophie Monk’s reappearance has reminded me that this badass banger exists. 

What was the last local gig you went to and who was it?

BABY BLUE and Truly Holy at Some Velvet Morning were awesome.

Tell us about the bands or people in the Melbourne music community that inspire you. 

I find most of the community super inspiring, I could list a whole bunch of artists who I feel really lucky to hear and bond with. Artists like Oh Pep!, Big Smoke and Ainslie Wills are brilliant and brave artists. They have all made records and played gigs that have made such a strong impression on me, as musicians and as people to look up to.

What are your plans for the rest of the year and in 2018?

Recording the songs that will be on my record next year and taking the time to make that sound real good. My single launch is at Workers Club this week, and I’m also supporting The Shins with my band in December, Wahoo! 

Tell us about your music. How did you develop your sound?

I started making music at 15 years old. I just used to steal random beats online and just do little freestyles and make cd's and give them out to my friends at school. And back then as well, I don't know if anybody remembers, but when we had Bluetooth on the phones, I remember I used to make a song and put it on my phone and Bluetooth it to my friends and people ended up Bluetoothing it to other kids and other kids and one day I was at Blacktown station and I heard somebody playing my song. That's when I knew I was going to make music from here on.

What’s your greatest source of inspiration for making music?

First time I got introduced to music was listening to Kanye West on the radio. I think that was when I was maybe 11, maybe 12. Me and my family were literally on the way home from church and I wasn't really allowed to listen to hip-hop because of the swearing and so on. So we all listened to gospel music and then one day, Kanye made this song called 'Jesus Walks' and when it came onto the radio, my parents let me listen to it. So from there on, I went on to become a big Kanye fan.

Tell us about your latest single 'My World'

'My World is about me being myself and not caring about what other people think.

Tell us about your music. How did you develop your sound?

My sound and style of hip-hop music is all about the flow and making sure my rhythms and bars are in harmony with the music. Over the past few years after travelling back to South Africa/Botswana and getting in touch with my roots, I I really wanted to add a cultural element to my music and have meaning in all my songs. I don’t just want to focus on Australia only, I wanna make a universal sound. 

What’s your greatest source of inspiration for making music?

The future generations. 

What can punters expect from a KG live show?

Energy, passion & bars.

What’s the best advice you’ve been given and who was it from?

When doing music, be authentic and be yourself (Omar Musa).

 What Australian track would you play to cheer up someone who was crying?

'Juicy Juicy Green Grass' by Peter Combe. That song always makes laugh and sometimes when I DJ, I troll the crowd with it'.

What Australian track would you play to someone to make them cry?

'Tiny Angel' by 360.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'For Good' by Remi featuring Sampa The Great. The two of them on this track together and the soul and groove in this song is the perfect joint for any party.

What was the last local gig you went to? How was it?

The last gig I caught was Amastro & Genisis Owusu in Canberra. It was crazy because it was like EDM lovers and hip-hop heads mixing together in one room and the vibe was so sick. It really proves that music has no genre when the music is dope.

Tell us about the bands or people in the Canberra music community that inspire you.

It’s cool what Peking Duk and Safia have done in making a name for themselves and putting Canberra artists on the map. It really shows all us Canberra cats that you can make it in music from anywhere. 

What are your plans for the rest of 2017 and in 2018?

I have a few festivals coming up, starting with my single tour and then playing a few shows in Africa in January. Most of all, I'm mainly just hyped to drop my debut album in 2018. 

Tell us about your music. How did you develop your sound?

I think we were looking for some ground between big hooky songs and something that facilitated my winding lyrical content. We had songs that lived on both sides of that fence and we were finding that the ones that hit a little closer to home, even though they didn’t necessarily have choruses, seemed to be resonating on stage with us and our audience. Personally, I always find myself falling in love with the more obscure solo songs on the albums I love, so I also wanted to build a home for something that could be loud, hooky and aggressive, but also considered and fragile.

What’s your greatest source of inspiration for making music?

On our new record I have adopted some instances of speaking from someone else’s perspective, but for the most part, my writing is very autobiographical. I also really respect the opinions of the other band members a lot, so I am always striving to impress them when I bring them a new song. 

What can punters expect from a Slowly Slowly live show?

I’d like to think we encourage a good singalong. Our Melbourne home shows especially, have such a community vibe around them. Our fans are very kind natured and look after each other in the pit. We are very lucky. I’d like to think everyone feels welcome and a  part of something.

What’s the best advice you’ve been given and who was it from?

My Dad told me once to never try and change anybody, just to find your people. It’s been ringing in my ears ever since. I think it extends to respectfully moving on and pulling yourself towards the things that make you happy. Don’t be a victim. Anyway - sorry, too heavy?

What Australian track would you play to cheer up someone who was crying?

'Please Don’t Ask Me To Smile' by You Am I. Tim Rogers has such a beautiful earnest poetry about him. Riddled with nostalgic weight, but also charmingly uplifting. This song will make you remember what it was like to be young and smiling.

What Australian track would you play to someone to make them cry?

'Dilettantes' by You Am I. As far as Australian songwriters go I can’t go past Timmy to cure the waterworks and also to encourage them. The language in this song ties me up. It's a stunning tune that makes me think about life and death and everything in-between.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'How to Make Gravy' by Paul Kelly. Comon.

What was the last local gig you went to? How was it?

Caught our mates Tired Lion at The Corner Hotel a couple of weeks ago. Such a lovely vibe in the room and I just love watching Ethan play drums. Such a controlled player. 

Tell us about the bands or people in the Melbourne music community that inspire you.

There are so so many. Of course we have such a loving relationship with our friends in Ceres, Foley and The Pretty Littles. We also watch our friends in Neighbourhood Youth, Press Club, Clove, Self Talk and Turn South and are always blown away. We love the droll Australiana of The Slingers, a newly formed Melbourne band I have really been getting into. Love the tension on stage when Bench Press plays. Run Rabbit Run create such beautiful uplifting musical arrangement too. There are just so many. We are such little fish in a big pond. 

What are your plans for 2017?

We are going to release a new album, tour ourselves into the ground and hopefully get around some beautiful faces all across Australia. We feel so lucky to be able to do this and have people connecting with our music. 

Tell us about your music. How did you develop your sound?

Because I've always been set on composing scores for film, I feel my music has leant towards a more cinematic vibe from the beginning. I've always been inspired by unexpected things, and I guess this openness has allowed me to take fragments of the outside world into my music.

What’s your greatest source of inspiration for making music?

To keep it painfully short and simple: anything and everything. It's awesome to be inspired by current music but I don't chase a sound (or at least consciously try to). It's important to take inspiration from the past and present to propel your music into the future.

What can punters expect from a Mookhi live show?

At current lives shows you'll be watching this little chick looking stern, pressing a whole bunch of buttons and keys like I'm operating an army of invisible robots. However, you'll also get a few trumpet, keys or vocal solos and maybe even a guest instrumentalist or two. Plus some visuals that I may have frantically animated the night before. In the future I'd want to put more emphasis on visuals and definitely get more artists, musicians and vocalists involved.

What’s the best advice you’ve been given and who was it from?

'Don't let anyone dictate what your sound should be', and that was from my step Dad.

What Australian track would you play to cheer up someone who was crying?

Shannon Noll 'Lift' - lifts the spirits every time.

What Australian track would you play to someone to make them cry?

Probably Shannon Noll 'Lift' again, but this time I'd be singing it.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Shannon Noll 'Lift'? Hahaha, probably Australian crawl 'The boys light up' for that nostalgic part of the evening.

What was the last local gig you went to? How was it?

It was my debut EP launch at Oxford Art Factory and it was probably the most fun I've had on stage ever. I had 3 guest artists who killed it, and the show sold out. Triple win.

Tell us about the bands or people in the Sydney music community that inspire you.

 I went to Liveschool to learn more about Ableton and that little community is really inspiring. You get introduced to other producers who are touching on new styles and genres; it's really fascinating and exciting. When it comes to locals acts, I'd have to say Willow Beats, Ta-ku and Charles Murdoch as they tend to work with more unusual and textual tapestries of sound, and Sampa The Great because she kicks ass.

What are your plans for 2017?

One things for certain is that I'll definitely be pissing off my household with my late night producing sessions. But I'm definitely itching to release more content, play more shows and collaborate with more artists (musically and visually)!

Tell us about your music. How did you develop your sound?

I started writing when I was about 12 but I knew to be good at it I would have to really work hard. I tried to pick out what I thought was good and bad in lots of different songs and apply those things to how I wrote. They were mostly simple rules like think of something other than a cliché, don’t write cheesy love songs, get to the point and move on. I knew I liked telling stories so that’s how my songs started so I used my little rules and I stuck with that!

What’s your greatest source of inspiration for making music?

It sounds lame but people. There are so many interesting people that do great things that make me want to be better at whatever I’m doing. I think that’s why I like travelling around so I can hear all different stories because I think it makes you appreciate what you do have so much more and want to make a difference with the abilities you have.

What can punters expect from an Alex the Astronaut live show?

They can expect a science dork telling stories on stage with a guitar haha. I like being on stage, I think I’m far less awkward there than I am most other places which is strange. I try to keep everyone involved and have a bit of a chat. I explain bits of my songs that I think are important and why I wrote them. 

What’s the best advice you’ve been given and who was it from?

My English teacher in high school said keep it simple, say your point then get on with it. I wasn’t very good at English but it helped with writing songs and I always think about that when I try explaining something that is taking too many words.

What Australian track would you play to cheer up someone who was crying?

Probably Courtney Barnett’s ‘Three Packs a Day’, because no one can cry to a song about 2 minute noodles.

What Australian track would you play to someone to make them cry?

Julia Jacklin’s ‘Don’t Let The Kids Win’ gets me every time. I heard her play it live and I couldn’t stop listening, it’s amazing. You’re the DJ at a party. The dance floor is pumping.

What Australian track do you put on next?

Alex Lahey’s ‘Let’s Go Out’ seems fitting.

What was the last local gig you went to? How was it?

I went to Jamie T at the Enmore and it was really cool! I hadn’t listened to much of his music and so I just stood up the front at the side by myself and watched. Everything about it was great he’s a really cool talented performer and everyone was so happy and excited to be there. Loved it.

Tell us about the bands or people in the Sydney music community that inspire you.

I’ve met a lot of female Sydney artists recently and they are so inspirational. Jack River and Lisa Mitchell were the first two girls I met and how humble and kind and talented they are is incredible. Montaigne is super cool too she also likes soccer so we bonded over that. My managers and the music people that I work with almost make me cry from how inspiring they are. I can’t believe how lucky I am to work with all of them. They’re like family to me.

You’re currently studying a Maths and Physics degree on a soccer scholarship in New York, how has/does music play a part in those roles?

I think music keeps me curious to find out new things so with physics and maths it fits in pretty well. Whenever I’m a bit overwhelmed it’s something that cheers me up so that helps me keep level headed and studying hard. I don’t think it plays a huge role with soccer but as a team we do listen to pump up music before the games!

What are your plans for 2017?

I’m releasing my debut E.P. “To Whom It May Concern” in late March, which I’m really excited about. I’m in New York at the moment so I’m going to play a few shows here before graduating in May and then coming back home to Australia. Then it’ll be playing shows and recording and getting more music to the world!

Tell us about your music. How did you develop your sound?

I was brought up as a classical violinist and pianist in Western Victoria and had no real exposure to any different types of music apart from the occasional song from the charts. When I started high school in Melbourne, I became very interested in Jazz and 'contemporary' music, I started improvising and started composing some really crap stuff. I remember watching Baz Lurhmann's 'Romeo + Juliet' and hearing the song 'Talk show Host' by Radiohead, I was obsessed with the song for so so long. It was Radiohead that really influenced me and made me start singing in my recordings, and I haven't looked back.

You are one of the winners of our PARKLIFE competition and will be playing PARKLIFE in Melbourne – what are you hoping to gain from the experience?

I still find it incredibly hard to believe that I'm playing! Really I'm just hoping for as much exposure as possible and that people will enjoy the show and my music.

What can PARKLIFE punters expect from the Albert Salt live show?

Keyboards, Percussion, Vocals, Violin, Drums and a Laptop. It's going to be the first show I'll be playing with more than 2 people on stage. I'm luckily enough to be joined by Annabelle Hayes (Vocals) and Lachie Bubb (Drums) At this rate I might eventually get a band...

You were also an Unearthed High finalist – what a year? What else has been going on behind the scenes for you this year?

Yeah, I was just talking to a friend today how if someone told me that this was all going to happen this time last year, I wouldn't have believed them. This years main focus was releasing my album 'Dearest Stranger' back in May. It took about a year to finish so I'm glad that it's finally out there. Annabelle and me just got back from the 'Kingdom of Little Empires' gig up in Brisbane where we played with Snakadaktal, Danika Smith and Stonefield, was such a fantastic day and heard some really impressive live music.

What’s coming up for you in the rest of 2011 and looking to 2012?

Well I'm currently working on EP to follow up 'Dearest Stranger' and I'm going to release that at the start of next year, and I'm also working with film maker James Vinson by doing some film scoring on his short films coming up 'Cold Showers' and 'Abraxas' and then a web series thats going to be done next year which I get to make a little cameo in!

Australian music is…?

...undiscovered.

Lincoln is one of our winners from the Top Song competition! Check out the winners from each state and all the details on the competition page »

Describe your music

Indie rock and roll with an alt-country soul.

How do you go about writing a song? Lyrics or music first?

In short, I write the music first, but really it's more complicated that that. I tend to write lots of words and ideas without a song in mind, and other times I'll write the beginnings of a song idea, and find some words that suit it. After that I'll shape the words into a theme and finish the lyrics, and then finish the music around them. There's a fair bit of to and fro.

Who would you most like to tour with or learn from as a songwriter?

That's real hard. If we're talking hypothetically dead or alive, then maybe Johnny Cash. Otherwise Elvis Costello or Neil Young. If Tim Rogers wants to come along too, that would be ace.

What was the last CD you bought? what made you buy it?

Husker Du - New Day Rising. It was recommended by a friend that runs a record store. We're currently in the middle of debating whether or not it's a better record than Flip Your Wig. I say no.

What do you do when you're not making music?

I teach year eleven and twelve students how to write (as in poetry and prose), how to play rock and roll, and how to be audio engineers. I also produce records for bands in Hobart.

What have you got planned for the future?

I really admire those songwriters that can keep writing relevant and meaningful music throughout their entire careers. I want the next batch of songwriters coming out of Hobart to be confident that they can make a dent in the national market, and so whether I can help that by setting a positive example, or teaching them the right skills to navigate their own way through, I'll be happy.

Australian music is...

Exciting, given the prospects of what might take shape in a post-major label industry..

Tell us about your music. How did you develop your sound?

We sort of just feed off each other and try and find a balance between not taking it too seriously and making some good music. If we think it sounds good, fun to play and exciting, we’ll keep playing it. Being constantly around music and gigs, it all feeds back into itself. 

What’s your greatest source of inspiration for making music? 

Inspiration often comes out of the blue, but usually some kind of experience or observation. Something that nags you for a while until you just have to get it out.

What can punters expect from a Pist Idiots live show?

Live Rock Music, 110%, a couple laughs, sweat, spit and love.

What’s the best advice you’ve been given and who was it from?

"Don’t be a di**head", from Dingo.

What Australian track would you play to cheer up someone who was crying?

 'Rain' by Dragon.

What Australian track would you play to someone to make them cry?

'Flame Trees' by Cold Chisel “ or a modern day banger like 'Million Times Alone' by Bad Dreems.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Boys Light Up' or some Kylie Minogue.

What was the last local gig you went to? How was it?

Amyl and the Sniffers at The Lansdowne, These New South Wales were our support acts. An electric evening, pure energy with some of the finest Australian rock music going.

Tell us about the bands or people in the Sydney music community that inspire you.

Bands like Royal Headache and Palms are pretty inspiring to us. In our formative years, Palms had a residency at the Lansdowne and as a bunch 18-year-olds, those strings of shows would’ve been our introduction into Sydney rock music. Since the Lansdowne has re-opened I feel that there has been a bit of rejuvenation in support for local music. I can only really comment from around 2013, but I feel it’s improved. 

I think that the Sydney community extends into the North and Southern regions of Sydney. Bands like The Pinheads and a venue like Rad Bar in the gong, were some of the first people to give us the time of day. For that, we luvem!

What are your plans for 2018?

More Music, more shows, more fun stuff.

Tell us about your music. How did you develop your sound?

I grew up listening to all types of music in our home that gave me a history of understanding an appreciation of its origin. When I was younger I only listened to rap but because I was in this environment I was surrounded by different sounds and influences. My parents liked watching music documentaries so I began to understand how different sounds were developed.

I began to understand how rap can make a change. For example, I remember my mum allowing us to buy a cd of the newly released NWA album but when we put it on and she heard all the swearing of police she wanted to break it and we said we can sell it. Secretly we kept it and listened to it.

Looking back I remember how they took the government to court for free speech. That was a big deal back in the day. I look at my music now and think of comments in the media like ‘ Aboriginals need to move on’ but in music I think you can put those messages out there time and time again and people will sing along and listen to it compared to someone in a protest singing out land rights.

My voice tends to be more calming and not at that high pitch and I don’t tend to pick beats that are fast and rap on with a list of words.

I want to be a storyteller.

I’m not sitting around the campfire telling a story but my listeners might be sitting around the campfire listening to me tell them that story. Our elders have put out our messages time and time again I am just trying to do that in another genre and that is rap.

What makes you proud to be making the music you make today?

I know the whole community are listening to my music whether they are young or old Aboriginal or non-indigenous.

What’s your greatest source of inspiration for making music?

My people’s struggle to be recognised in their own country and their struggle to be treated fairly.

What can punters expect from a Lucky Luke live show?

Nonstop music accompanied by a drummer and hype man that allows the listener to escape on an emotional storytelling journey.

What’s the best advice you’ve been given and who was it from?

My mum is a proud fan of mine and her advice and belief in me that I’m unique. I’m me I don’t have to rap or follow other’s people’s content, style or idea or what is rap I can follow through with my own ideas. I don’t have to conform to the masses.

What Australian track would you play to cheer up someone who was crying?

Powderfinger - My Happiness

What Australian track would you play to someone to make them cry?

Slim Dusty: Leave him out there in the long yard (My Grandfather always used to sing this song to us).

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

ACDC - Thunder struck

What was the last local gig you went to? How was it?

Seth Sentry, it was good even though there was only 80 people on a Thursday night.

Tell us about the bands or people in the Mount Isa music community that inspire you.

I don't really mix with other artist in Mount Isa, to tell the truth I just sit at home doing my own thing because I'd rather not be influenced by other artist.

Name 3 Unearthed Artist you recommend us checking out?

Tera – Better Dayz

Stinga T – Dreams

K.P - Hands up

Lastly, what are your plans for 2017? 

Capital and outback tour, release of my third album. Work on designing and printing up merchandise for my tour. The creation of a website where people can book me not just for music gigs but for lessons in schools.

Tell us about your music. How did you develop your sound?

It took us a few years to develop a sound we were happy with. Working on our recent album "I'm The Sin" really helped us find and refine our sound. It was a great experience for all of us as it was our first time in a proper studio and all learnt a lot about writing and production.

What's your greatest source of inspiration for making music?

Our biggest source of inspiration comes from our personal experiences. We've lived and experienced a lot since the writing and release of "The Lost" EP in 2015, so the lyrical content of this new album is a lot more heartfelt. We've collectively lived through life-changing pain and happiness, break ups and failed relationships, issues with our own mental health and family struggles that lead Lizi and the rest of us to write some really meaningful lyrics that we hope people can find comfort in.

What can punters expect from a The Beautiful Monument live show?

Lots of energy, big singalong choruses that are easy to sing along to, even if you've never heard us before.

Fast, punchy and a lot of fun!

What's the best advice you've been given and who was it from?

Although nerves before playing are uncomfortable, they're a good thing as it means you care about the show you're about to put on. We always had the best advice given to us by our late manager Justin, who passed away in November.

He always gave us the best pre-show advice, the way to make us ensure we were happy in our situations and with each other and the best advice about how to do everything properly in regards to releases. He was a really important person to us, and one of the most caring people ever. We're all super grateful for all the advice he gave us, we learnt so much.

What Australian track would you play to cheer up someone who was crying?

'I Touch Myself' by The Divinyls ;)

What Australian track would you play to someone to make them cry?

'Without Me' by Aburden. Or realistically anything by Aburden because they're major sad boys. We love them.

You're the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Anchors' by The Amity Affliction or 'Land Down Under' by Men At Work.

What was the last local gig you went to? How was it?

Some of us recently went to the Corner Hotel to see Running Touch. The vibes were really different to what we were used to within the usual heavy/hardcore scene but it was awesome to go to a different kind of gig and see the crowd, the interaction with the crowd and the differences between a show like that and one we would play.

Tell us about the bands or people in the Melbourne music community that inspire you.

A lot of people inspire us by just being a part of the community, caring enough to share a bands post on Facebook or even rock up to a show. Being in a band is hard, so when you have the punters caring about their local bands and their scene, it really helps to make a difference. Those people inspire us to be better and do better.

Name 3 Unearthed artist you are loving at the moment.

We're absolutely loving Ruby Fields, Aburden and Dear Seattle.

Lastly, what are your plans for 2017?

We're looking forward to everything this year is shaping up to be for us so far. This Friday sees us playing with Architects and Ocean Grove thanks to Triple J Unearthed. We're also hoping to hit up some interstate shows this year to share our album with those fans as well. Everything we've got planned at the moment is still a bit on the hush, but it's looking to be a really big year for us! 

Tell us about your music. How did you develop your sound?

We had access to some rehearsal space at Uni and we got to know each other by making loud noises together and seeing where it went. When we landed our first gig we had only been rehearsing all together for about two weeks, so we had to pool all of our creative energies together pretty quickly to make sense of the noise. Since then we’ve bought a lot more guitar pedals and they do a lot of the work for us now.

What’s your greatest source of inspiration for making music?

Women and depression. 

What can punters expect from a Moaning Lisa live show?

A lesbian once told us it had been suggested to her that the best way to meet other queer people in Canberra is to go to a Moaning Lisa show. A service we’ve been providing, yet completely unbeknownst to us. Basically, what you can expect are all of your dating app insecurities in a real-life setting, with the added bonus of loud music so you don’t actually have to talk to anyone.

What’s the best advice you’ve been given and who was it from?

“It won’t affect sales” - Jimmy Lloyd-Wyatt who produced the Sweetest EP insisted on this every time we were being too particular about a performance or how something was sounding.

What Australian track would you play to cheer up someone who was crying?

'Eggyweggs' by dave. 

What Australian track would you play to someone to make them cry?

'The Special Two' by Missy Higgins.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

 'Please' by Huntly.

What was the last local gig you went to? How was it?

We all saw Antonia and the Lazy Susans and Azim Zain and His Lovely Bones supporting The Hard Aches last week. It’s so special to see your mates that you’ve essentially grown up with sharing a bill with these bands from all around the country. It reminds you of how interconnected music is in Australia and how the lines between friends, peers and heroes start to blur as things get bigger. 

Tell us about the bands or people in the Canberra music community that inspire you.

Too many people to name. But our band pals in Slagatha Christie and Teen Jesus and the Jean Teasers are a constant source of inspiration. Shan at CBR DIY Gig Guide, Kels at UC Refectory and Dave at Laundry Echo are three people who do so so much behind the scenes to change the shape of the city and how it’s viewed. 

What are your plans for 2018?

What AREN’T our plans for 2018? Wanna start up a podcast so we can deliver our banter outside of shows and interviews. We will strive to make-out with all the people mentioned in “Carrie” and transform our shows into a beautiful queer oasis.

Tell us about your music. How did you develop your sound?

Kate: When we first started writing together, we had fairly different tastes in music. I listened mainly to jazz artists and Sally liked lots of different contemporary genres. But, as with picking up someone’s mannerisms when you hang around with them long enough, writing together meant we eventually took on each other’s tastes. There have been many other songs written before we came to where we are now, and we’re definitely still developing.

Sally: We also have a ‘no bad ideas’ policy. So even when Kate decides to whip out her flute or do wild diva vocals over one of our demos, we’ve resolved to hear each other out, and that allows us room for experimentation.

What’s your greatest source of inspiration for making music?

Kate: A combination of working and writing with other artists. I think perhaps it’s easy to get stuck in a creative rut when you hold your cards close to your chest. There is something expansive about doing music as a community with other artists. Sometimes we collaborate with our friends and end up with an utter flop, and sometimes it’s great.

Sally: I love elegant communication in all forms and pursuing that through music inspires me.

What can punters expect from an OKBADLANDS live show?

Kate: A whole lot of harmonies and groove. These are the things we are naturally drawn to and so we integrate them as much as possible. For most of OKBADLANDS’ life we have performed live as a four-piece band, but we’ve recently started doing some electronic shows as a duo, which allows for a different dynamic.

Sally: Us gals having a great time because playing live is our favourite thing, and hopefully said punters having a great time too. Grooves, harmony, and Kate telling the audience ‘what you can’t tell is that I’m usually funny’. We also like to wear sparkles.

What’s the best advice you’ve been given and who was it from?

Kate: ‘Just relax a little bit’ – my older brother, Peter, on account of the fact that I can be pretty rowdy sometimes.

Sally: Not given to me directly, but I read a collection of essays by Annie Dillard recently, and in one of them she wrote – ‘how we spend our days is, of course, how we spend our lives’. Something given directly was an elderly lady who started talking to me on the bus once – as I was leaving she said ‘listen well, speak up, and always have flowers on the table.’ I took that to mean to be attentive and to prioritize contributing beauty to the world as an end in itself.

What Australian track would you play to cheer up someone who was crying?

Kate: Asta - Dynamite

Sally: Gang of Youths – Native Tongue

What Australian track would you play to someone to make them cry?

Kate: Crowded House – Don’t Dream It’s Over

Sally: Big Scary - Invest

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Kate: Tame Impala – The Moment

Sally: Daddy Cool – Eagle Rock

What was the last local gig you went to? How was it?

Kate: I was away for a while, so BADBADNOTGOOD late last year. It was one of the best gigs we’ve attended together. There were bass-piano duos, people moshing to complicated rhythms, soprano sax solos – everything we could have asked for. They’re so skillful and they’ve developed an original sound that we both love.

Sally: The most recent would have been Fractures, who we supported last week. They were great – we loved seeing how the recordings were interpreted in a full-band setting.

Tell us about the bands or people in the Brisbane music community that inspire you.

Kate: We’ve worked alongside a lot of really inspiring people in the Brisbane music community and formed some close friendships. Everyone’s super tight-knit and encouraging.

Sally: There’s so many - GOVS, Golden Vessel, a new act called Akurei, The Creases, The Phoncurves, Seavera, Asha Jefferies, Mid Ayr, Clea – the list goes on. As well as amazing music photographers like Savannah van der Neit, all the sound techs and bookers at the venues here, and all the people who write insightful blogs and zines centred around music. And the legends over at 4ZZZ.

What are your plans for 2017?

Kate: A lot of new things! We’re so excited to release our debut EP later this year. It’s something we’ve been working really hard on for quite some time now. We’re going be playing our first ever headline show in Brisbane, and will hopefully be heading interstate as well.

Sally: Other than that, the plan is to keep writing and developing our sound.

Lastly, would you rather be average playing every instrument or amazing at playing just one instrument?

Kate: Gimme all of them.

Sally: I think I’d prefer to be amazing at just one.

Tell us about your music. How did you develop your sound?

We call our style of music 'passion pop' - it's a cheap mix of folk, punk, folk-punk, and everything in between - we actually started off as a very earnest folk band (Leah was going to learn the mandolin for us!) before realising that the true path of enlightenment is overdrive pedals and crying.

What’s your greatest source of inspiration for making music?

The human condition, social injustice, and the career stability that only alternative rock music can provide.

What can punters expect from a The Football Club live show?

Punters can expect to see the rock band The Football Club play a number of our original rock songs, in an order we will determine during the panicked 15 minutes between the last band finishing and us having to start our set.

What’s the best advice you’ve been given and who was it from?

'Don't go to law school, son - everybody knows the real money is in folk-punk'.

What Australian track would you play to cheer up someone who was crying?

'Let's Go Out' by Alex Lahey. Huge, merciless banger.

What Australian track would you play to someone to make them cry?

'Public Phone' by Wedding Ring Bells. The last song on the last Fergus Miller record. Try not to cry. Cry heaps.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'Boyfriend (Repeat)' by Confidence Man. Try not to boogie. Boogie heaps.

What was the last local gig you went to? How was it?

Ceres at Howler - they're the coolest, their album from last year was totally in my top ten! Huge energy, huge vibes.

Tell us about the bands or people in the Melbourne music community that inspire you.

We love the Melbourne music community! Big ups to Two Steps on the Water, Camp Cope, Poison City Records and Sad Grrrls Club (although they're not strictly Melbourne!).

What are your plans for the rest of 2017?

We just released our song 'Ivy', which comes off a 7" that we're gonna put out in late May/early June with another song called 'Spencer'! Then we're touring through May with our pal Alex Lahey, as well as some other things you'll learn about soon. Then towards the end of the year, we're going to head into the studio and see what comes out...

Tell us about your music. How did you develop your sound?

It’s hard to define the exact process of how it developed. I spend a lot of time experimenting with different ideas and concepts. Driving a lot for work allows me to spend more time listening to different music, then when it comes to my own writing, I'm sub-consciously combining different worlds that resonate at the time.

What’s your greatest source of inspiration for making music?

Initially it’s personal experience, live music is a big one. I take a lot of inspiration from movie scores and how they're able to influence the emotions of the audience.

What can punters expect from a Willaris K live show?

I’m playing my first live show this Friday. As I've been planning for it, i’ve found that I'm naturally gravitating towards my heavier/dancier stuff. Most of which has never been heard outside of my bedroom. Expect intense moments contrasted with intimate ambience.

What’s the best advice you’ve been given and who was it from?

There’s not really one piece of advice that i subscribe to, but i’m a firm believer in everything happening for a reason - whether it be positive or negative. I’d say that mentality came from my parents who always attest that you get out what you put in.

What Australian track would you play to cheer up someone who was crying?

No 1 Dad's - Camberwell

What Australian track would you play to someone to make them cry? 

Seekae - Void

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Tame Impala - Why won't you make up your mind?

What was the last local gig you went to? How was it?

I saw Jagwar Ma a couple of weeks ago in Coolangatta. It was good to see a crowd come out in numbers and support that style of music locally.

Tell us about the bands or people in the North Coast music community in NSW that inspire you.

I'm quite lucky in that regard because I've got a group of close friends from school that also write music. That's a big inspiration for me. We're always pushing each other, collaborating, keeping the standards high, no beating around the bush with feedback. I'm excited for us all to be out doing our thing musically. Everyone has their own tastes which seems to be a driving force for pushing our personal boundaries. I premiered a track from Rössen Culture in my triple j mix, Grant Walker just put his first track up on unearthed, NWM that did my artwork and visuals writes, HXXD GXLD raps and Joel Cauchi is a singer/songwriter who lends his guitar expertise on a few upcoming releases. They’re all coming; keep your eyes peeled.

What are your plans for 2017?

Release an EP. Develop my live show to become as live as possible, then eventually incorporate a visual aspect. Maybe a remix.

Tell us about your music. How did you develop your sound?

Thrupence was developed and inspired by the music my mum used to play when I was a kid. Electronic bands like Deep Forrest, old jazz pianists, and a lot of stuff from Bristol. I thought it was amazing and it's still stuck with me and helped develop my sound to what it is today. As well as that - probably every Disney movie soundtrack that I heard as a kid had a strong influence too.

Do you see your sound translating to a live environment? Is there a Thrupence live show in the works?

Thrupence has a live show that is expanding to avoid the kid-behind-a-laptop cliche. The live set is working to incorporate live drums, guitars etc. It can sometimes be a bit underwhelming for people to just see a laptop and some buttons. Im trying to reverse engineer the album so that it can be played on live instruments as well. Bands can record their songs live to get them into the computer but im doing the opposite - trying to get the sounds out of the computer into live instruments. Its a big process but I think i've got it sorted.

Tell us about the music and people in the Melbourne music community that inspire you?

Melbourne has a really talented bunch of beat makers and electronic musicians. The guys from THIS THING are doing some really cool things. Galapagoose and his Monome toys are incredible to see and hear. Andras Fox's stuff is really nice. TUC is making some really beautiful stuff. There are heap of Melbourne guys making sounds that are just as good as anything you would hear globally. Chet Faker is another name that is set for big things.

What’s the best advice you’ve been given and who was it from?

'Work needs to be more fun than fun' - Stephen Fry

What’s coming up for you in 2012?

There's a release party for the new EP in Melbourne that will be happening early May. The final date and venue will be posted on Thrupence's facebook soon. There's a 12" coming too! That should be ready for the opening (hopefully). I'd really like to take everything overseas. I think it would be amazing to travel and play music at the same time (rather than just being another tourist). Aside from that, keep trying to make music and if everything comes together I'll get another release out for summer this year.

Australian music is…?

As good as anywhere else. Being on this island hasn't really restricted us, I don't think. Our population and crowd attendances are nothing compared to music hot spots like Berlin or LA and we're still outputting some really impressive stuff - its inspiring to see. Thanks to the internet, once again.

Tell us about your music - how did you develop your sound?

We grew from the humble beginnings of a Fremantle busking duo after feeling rather insignificant sans a band kicking it with a battery powered Casio keyboard doing all the dirty bossa novas.  We decided to surround ourselves with as many wonderful musos as possible so every gig could feel like a big ol’ (dirty bastard) party.  But teaspoons of rider beer later, we settled down with eight members each bringing an eclectic variety of influences to the table, which has all helped and contribute to what our sound is today.  Whilst we’re always evolving; essentially we write feel good epic pop songs entwined with afro electro, hip hop, ska, dub and big band music; all key ingredients in the pot.  But when it comes to the crunch, we simply like to create a fun party vibe for our audience that can lift spirits and make everyone feel happy.

What can the audience expect at a gig?

We’ve made a name for ourselves with the live show so if you bring big grins and shoes with fair bounce; we’ll provide something a little bit mad, quite often incoherent but always catchy and full of excess energy.  When we started out as a band we had one main rule, and that was to boycott the motionless stage presence with the idea that the sooner you jump around like idiots not giving a shit; the sooner you’re audience will as well.  One of our emcees Rezide also brings a lot of fire to the stage and extensive damage to our percussion rigs.  When we played at the campus band comp finals on the gold coast at Sea World a couple of years back, The Doctor told him “you’re one crazy motherf***er!”  It got worse…

How is it working as an orchestra – how do you manage rehearsing etc.

Our conductor resigned, the tuba player jumped off a ferry and our guitarists strummed their wayward ways into the horizon singing ‘oh what a night’; but somehow eight of us manage to meet at the very least once every couple of weeks; just out of a shared love of avoiding a ‘career’ path.

What’s coming up in the 2011?

We kicked off the year supporting Arrested Development on NYE and played at WA’s Southbound Festival; and we’re continuing the exciting trend with some more festival slots lined up, including the Perth leg of Future Music, Fairbridge, Nannup and some other potentials in the works.  We’ve also got an east coast tour pencilled in for around July (Melbourne / Sydney folk start spreading the word and if we can get a grant hopefully more cities too) and we’ll also release our debut EP sometime mid year amongst much, much more.

Australian music is?

So fulfilling.  For us living in Perth, our lives are forever entertained with first class local music day in day out blowing our socks off; so apply that on a national level and you’ve got yourself a pretty decent slice of aussie pie.

What's the origin story of Confidence Man?It all started in our home studio (all of us lived together) when one of us was writing a bass line and struggling with song ideas. The four of us were all in the room so we slowly started screaming over the top of each other and trying to grab the microphone to sing little melodies. By the end of the night I just remember that we were all pretty wasted and we were all hugging each other and screaming "this is the best thing ever!" So I suppose from there we realized that we work well together. We're similar people and we like similar music, so it's been easy to know what direction we want to go in. What’s your greatest source of inspiration for making music?I love to dance, so I really focus on writing big bass lines and cheeky percussion parts. Essentially I just try to write music  I would dance to.I love the way Todd Terje makes badass dance music in a really cute, dorky way. That's the vibe I like to go for. What can punters expect from a Confidence Man live show?Champagne, bee keeper hats, black eye make up and two of the sassiest live dancers you'll ever see. What’s the best advice you’ve been given and who was it from?"Men will stick it in any old hole they can get it in" - Grandma What Australian track would you play to cheer up someone who was crying?Donny Benet - Working Out What Australian track would you play to someone to make them cry?Nick Cave - Into My Arms You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?Fishing - Yuwa What was the last local gig you went to? How was it?I saw Sampa the Great at Bigsound. She was awesome, I think she's a badass. Tell us about the bands or people in the Australian music community that inspire you.We're inspired by a lot of Brisbane bands because we're always working together and showing each other demos. Everyone is super-supportive in Brisbane.But musically I'm really inspired by the Melbourne dance scene - NO ZU, Ara Koufax and acts like that. What are your plans for the rest of 2016 and in to 2017?Lots of touring, writing, releasing some new tracks, but above all making some more overstated outfits.

Tell us about your music. How did you develop your sound?

I used to record tonnes of distorted demos on my laptop and that's how the project came about. A few singles got picked up for radio play, The band got offered live shows and support slots and it all just went from there. Over the last few years since Brock and Jordan joined, our songwriting process totally evolved. After playing together for so long, our sound is just naturally super different from all the years making bedroom trash. We practice pretty regularly and naturally have honed our collective ideas for what we want our band and music to be since becoming so close. As we are great mates, we are all generally on the same page so it makes for a fun and easy creative process.

What’s your greatest source of inspiration for making music?

Music has always been a great processing mechanism for me. I’m a huge over thinker and tend to be pretty observant which is where a lot of the socially topical content for our songs comes from. Whenever I can’t understand something I have felt or experienced it helps to process that confusion by writing it out so it doesn’t just swirl around inside my head forever. Making music gives me that ability to become more self-aware by questioning thought whilst simultaneously expressing my creative, instinctive passion. I guess after all that the ultimate inspiration is the opportunity to connect with other people who might think in a similar way and understand what you are trying to say. The world can feel like a huge and lonely place, so I think it’s important to feel a sense of community in whatever capacity possible. When you connect with other people over music, it is amazing, so I guess our songs are like our own little message sent out into the airwaves trying to reach people who will understand. Hopefully, it feels like a big warm hug from a mate you haven’t seen in a while.

What can punters expect from a Bugs live show?

Jordan's sweaty torso, my mop of hair flying around, a whole tonne of bad puns and knee slides. We just really like to create a bit of a house party kind of feeling in the room we play in. It’s always important to establish the necessity for respect and a safe space in the venue we play in though. It’s a funny catch 22 and a fine line between getting wild and being an over-assertive, aggressive night ruiner. Oh, and maybe a kiss or two.

What’s the best advice you’ve been given and who was it from?

I think it’s the cliche of not being so hard on yourself. My mother, girlfriend and mates always try to reinforce a firm belief in myself. It’s easy to self-impose pressure when you work hard and desperately want to achieve something, but if by doing that you’re making yourself miserable it generally defeats the purpose of doing it at all. I can be a pretty intensely analytical thinker so I guess it’s important to steer that in positive directions and harness the power of it for progression, and it’s even more important to stay calm and relax when you start getting overwhelmed. I make terrible choices when I’m stressing out, so the most important piece of advice to remember for me are to chill and go with the flow. I think that goes hand in hand with a deep-rooted self-confidence, one I am yet to find.

What Australian track would you play to cheer up someone who was crying?

Probably 'Young Drunk' by The Smiths, an infectiously cathartic anthem from my youth. Or 'Never Had So Much Fun' by Frenzal!

What Australian track would you play to someone to make them cry?

'Blood' by The Middle East gets me every damn time. It hits home super hard.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Either ‘Am I Ever Gonna See Your Face Again’ by The Angels or ‘Whats My Scene’ by Hoodoo Gurus. Straight up. Pub bangers. I am such a proud bogan.

What was the last local gig you went to? How was it?

We played with British India a few weekends ago at The Triffid and they absolutely blew the roof off. It was surreal to stand side of the stage and watch some of our heroes belt out tunes that soundtracked my youth and teens. The guys were super nice and we knew the other support band Eliza & The Delusionals who are super cool people too. I ran some chips out on stage cause they shouted me a free burger earlier but it hadn’t come by the time they started playing.

Tell us about the bands or people in the Brisbane music community that inspire you.

Brisbane is way too great to list all the awesome people who make it such a vibrant community. The Violent Soho guys are like royalty. Artists like Good Boy and Waax are really inspiring. It has been remarkable to watch brilliant and considerate people do incredible things this year. Jeremy Neale has been an enormous influence for me personally. The amount of carefully thought out advice, compassion and time he has afforded me since starting this band has been overwhelming. Our manager Ruby and booker Dom are like family. The venue managers and booking agents around town are invaluable and it breeds this sense of welcoming and teamwork that is conducive to shared success and makes for some ripping memes by Cael (Valley Ledge). Also, not to take away from the punters and gig patrons (one of which is myself). The frequency with which you will see full rooms in multiple venues on any given night in the valley is heartwarming. People care about and feel really connected to the music community here, because the equality and serenity in lack of competition breed a really positive connected industry.

What are your plans for 2018?

Opening Falls on New Years Day is certainly the brightest beacon on the calendar, but we’re barrelling into a busy month in Jan. We have a show with our good pals The Hard Aches at Black Bear Lodge on the 19th so that should be super fun. It’s really close to selling out already and the guys are absolute legends so it will be awesome to catch up and return the favour of a couch to crash on. Then we have a single coming out just before we play Brisbane's ‘Mountain Goat Valley Crawl’ festival in early Feb. Personally, I am so dang excited to get this next tune out, we have about 6 ready to go for an EP shortly after but we’re just tying up all the loose ends to make sure the release reaches its full potential. Valley Crawl is this amazing multi-venue night that always has the punters going wild and we’re stoked to have a nice late spot at the Foundry which should get pretttttty dang juicy to say the least.

Tell us about your music. How did you develop your sound?

When we started writing, we didn't really know what we we're doing, other than that we wanted to make the darkest, gnarliest rock and roll songs that we possible could. We knew we wanted to try and come up with something a little bit less rigid and limiting, and a little more diverse than the punk rock bands we'd played in before this.

We quickly figured out that we liked putting these kind of pretty sounding guitar riffs (tomato sauce) over really gritty, aggressive bass stuff (buffalo mozzarella). Together it makes for this really cool, gloomy soundtrack to Nikki's roars and howls (fresh basil and olive oil). That's sort of what makes us sound like us, I think (a perfect Margherita pizza).

As intense and grim as the songs are, we also love to make music that people can dance to, instead of playing just straight headbanger stuff all the time. So we put a lot of focus on rhythms and backbeats (the light, crispy base), and just making sure the songs flow really organically, without having to overthink or force anything. Mangiare!

What's your greatest source of inspiration for making music?

Black coffee, black magic, black metal and Black Sabbath.

What can punters expect from a Pagan show?

Pagan shows are a celebration of all things dark. Wild, sweaty, noisy rituals with a killer dance floor! Like having your 21st birthday party and the wake after a loved one's funeral at the very same time.

What's the best advice you've been given and who was it from?

"The longer you leave your pasta sauce on the stove to simmer, the better. The longer the sauce can simmer at a low temperature, the more the flavours of each ingredient; the herbs, the chilli, the garlic, onion and tomato will come out properly. Anything less than three hours is a disgrace to yourself and to your whole family, both living and dead. Don't you dare disappoint me." - Mama.

What Australian track would you play to cheer up someone who was crying?

Clowns - "Destroy The Evidence" or Client Liaison - "Off White Limousine"

What Australian track would you play to someone to make them cry?

Totally Unicorn - "Dream Life" or Client Liaison "World Of Our Love"

You're the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

Alex Cameron - "She's Mine" or Client Liaison - "Wild Life"

What was the last local gig you went to? How was it?

I'm not sure, but the one that comes to mind is High Tension, Clowns and Grim Rhythm at The Bendigo. It was a benefit show and launch party for an amazing compilation put together by some wonderful people to raise money for the families of a couple of their close friends who were involved in a tragic accident. Pagan were honoured to have been included in such a beautiful gesture! It was a Tuesday night and I couldn't believe how packed the Bendigo! It was a beautiful, positive and emotional evening, and true testament to just how much people within the greater Melbourne alternative/music community are willing to look out for one another as friends, as family and sometimes as people we've never even met. Every band totally slayed too!

Tell us about the bands or people in the Melbourne music community that inspire you.

Our dearly beloved cult. Anyone breaking rules, smashing expectations and creating new and interesting music. Anyone working towards making sure shows are fun, inclusive and safe for absolutely everyone. People of different cultures, girls, trans, queer and non-binary folk making angry music. Client Liaison.

What are your plans for 2017?

We're aiming to complete our collection of 13 singles by the end of the year, but we'll see... In between single releases, we're hoping to play more Pagan rituals with lots of different kinds of bands and artists, do some more touring, make more videos, further our understanding of the dark arts, destroy regular cheese and antipasto platters, and drink many more spritzers. It's gonna be a hell of a year I think!

Tell us about your music. How did you develop your sound?

I've been playing music my entire life and really started taking it seriously when I picked up the saxophone at 12 years old. I played in big bands all through high school and went to uni to study a jazz degree. I was always writing songs through high school as a means of teaching myself how to play guitar, and found when I got to uni that my ear was more attuned to appreciating a great song rather than a gnarly bebop lick - I was listening to way more Carole King than Charlie Parker. So, I dropped out of my degree and to focus more on writing songs. Oscar Dawson who plays in Holy Holy has helped me bring my songs to life with his incredible production skills. Funnily enough, he also didn't finish the exact same degree as me. And here we are.

What’s your greatest source of inspiration for making music?

My lyrics tend to come from interactions I have with other people. I'm big on communication - I like to talk things out - so a lot of the words in my songs happen to be directly taken from conversations I've had. Musically, I get inspired by melody and groove. There's nothing better than hearing a song where there's a sweet chord change or melodic idea that makes you go "what the hell was that? I need to know!"

What can punters expect from your live show?

Coopers Sparkling, Bruce Springsteen-style count ins, fuzz pedals and a drummer who cries whenever he watches 'School of Rock'.

What’s the best advice you’ve been given and who was it from?

My friend's dad tells me "fortune favours the prepared mind", which I'm pretty sure is a Louis Pasteur quote. Basically, I interpret that to mean even if you're feeling you're not producing the best output at a particular time, you're preparing yourself and your skills to create something you're really proud of down the track. Another friend of mine has a similar piece of advice, which is to "sift through the shit", but I don't really like the visual that suggests... Let's stick with the Pasteur one.

What Australian track would you play to cheer up someone who was crying?

'Our Place' by Verge Collection

What Australian track would you play to someone to make them cry?

'Can We Work It Out' by Gordi

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

'She's So Fine' by The Easybeats

What was the last local gig you went to? How was it?

I don't know if this counts, but I went to see Alvvays while I was in Sydney the other weekend and they were incredible. I referred to their music a lot while recording my EP. I know Alvvays aren't a local band, but Major Leagues opened and they were just as good. Great songs, great chops, great night.

Tell us about the bands or people in the Melbourne music community that inspire you.

I'm really lucky to be part of a community that inspires me so much. My friends Eilish Gilligan and Greer Clemens both play in a brilliant band called Frida and have their own solo projects. I froth on the feedback I get from them when I show them new songs or mixes. Kate Duncan is the creative producer of The Push Inc and works to give young people opportunities to learn about playing/putting on gigs, being in the studio and releasing music - she's an amazing person who has been looking out for me since I was a bub. My best friend Ollie Whitehead plays sax in Animaux with me and has a sweet new project on the go, which will be excellent. Every time I go into the studio with Oscar, I come out a better musician and writer. Also, shout out to my manager, Leigh. Hey Leigh!

What are your plans for 2016?

Write more songs, play more guitar, play more shows, release my debut EP, tour lots, do more recording, drink all the beers. Not necessarily in that order.

Tell us about your music. How did you develop your sound?

A friend introduced me some years ago to a bunch of great lo-fi bands that came out of the centre of America in the 90's. All these bands were making some of the most fantastic music I'd ever heard. It was emotional and angsty but it wasn't "emo", the lyrics were poetic but it wasn't folk, it was pop sensible yet it was dark like indie rock or grunge. I started writing and recording really rough demos in my room trying to emulate those sounds.

Eventually I met Sean, our guitarist, and we liked the same bands so we started to help each other on our own musical projects until it made more sense just to work together. We worked on a heap of songs over a couple of years and last year it felt like we'd finally figured them out so we went into studio with Steven Schram who helped us record our EP.

What’s your greatest source of inspiration for making music?

My songs are quite personal so obviously a lot of the time the catalyst is my own experience but I find reading books and poetry another source of subtle inspiration for music. I can't force myself to write music so all the time spent absorbing books and poetry comes out in unexpected ways when inspiration finally does hit.

What can punters expect from your live show?

Our music is a blend of folk, rock and shoegaze. I think all of the best elements of those genres work well together. I try to write songs which have a strong narrative element which ties them together even though sonically they can be quite different. I think our live sets come off more emotional and a touch heavier than our recordings.

What’s the best advice you’ve been given and who was it from?

In regards to life advice my parents raised me to treat others as you'd like to be treated and this has had a big impact on myself. In regards to music my friend Carl (a disgruntled sound engineer) gave me the advice to always be nice to the sound guy.

What Australian track would you play to cheer up someone who was crying?

Crepes - Cold Summers.

What Australian track would you play to someone to make them cry?

The Middle East - The Darkest Side.

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

I'm really not known for my DJ skills. So whoever made me DJ of this hypothetical party is completely out of their mind... I asked our guitarist Sean and he said Two Bodies by Flight Facilities.

What was the last local gig you went to? How was it?

The Rolling Blackouts launching their EP at the Old Bar in Fitzroy. It was amazing, they had the whole room pumping with their tight pop tunes.

Tell us about the bands or people in the Melbourne music community that inspire you.

There is so much talent at the moment coming out of the Melbourne music community. A few that spring to mind are the Outdoor Type and JP Klipspringer who actually supported us at our single launch the other week. Other bands we love are Hollow Everdaze, Crepes, Good Morning, Redspencer and Bored Nothing. Our good friends Jackson Phelan, LUCIANBLOMKAMP and Rosebud Leach are also incredible musicians that have always inspired and supported us.

Tell us about your music. How did you develop your sound?
The demo we released when we started the band was mostly written by our vocalist, Tory. It wasn't until we got into a room and started writing as a band that all these other influences started creeping in. We all have a background in the hardcore scene, so our new material is a little more aggressive, while still maintaining a pop sensibility.

What’s your greatest source of inspiration for making music?
We look up to a lot of our friends in bands and the sacrifices they make to be able to tour full time. Hopefully we can follow and do the same!

You’re one of the winners of our Unify competition. What can punters at the Unify festival in Gippsland expect from the Harbours live show?
It's a shorter set, we've cut a few of the ballads so expect 20mins of high energy & riffs.

What’s the best advice you’ve been given and who was it from?
Pick Harder - THE Steven Cannatelli

What Australian track would you play to cheer up someone who was crying?
Pretty much anything by Tame Impala.

What Australian track would you play to someone to make them cry?
No Control by a band called Holland.
Their lead singer is now killing it as a pop star and I don't think too many people know about his past project!

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?
Sunken Eyes - Sunk Loto

What was the last local gig you went to? How was it?
Invasion Fest.
Was a great day filled with a lot of Underground talent from around the country.

Tell us about the bands or people in the Melbourne music community that inspire you.
Our friend Running Touch is killing it at the moment. Check out Ocean Grove too.

What are your plans for 2016?
Become a staple in Aussie Rock.

Tell us about your music - how did you develop your sound?

We sort of just started jamming. After a few weeks the 'sound' was coming out pretty naturally, we were never going for anything specific. Riley will normally come to rehearsal with a basic skeleton of the song and a few riffs. Then we all throw in our own ideas/parts and figure out a song structure that works. Sometimes it's a quite a simple process and the songs come really easily, but sometimes we'll be sitting on songs for a few weeks/months that we still haven't quite worked out.

You’re one of the winners of our Splendour In The Grass competition. What can Splendour punters expect from the Postblue live show?

Loud guitars, a lot of energy and plenty of awkward stage banter. We all thrive off playing live and we have heaps of fun on stage. So you definitely won't be bored during a Postblue show.

What Australian artists/musicians do you draw inspiration from?

Silverchair, Incursion, Violent Soho, Something For Kate, Grinspoon, Jebediah and a bunch more. Australia has produced some of the best bands/artists of all time, which can often be overlooked when you have a massive amount of international bands touring here all the time. We definitely draw a lot of our inspiration from Australian bands.

What’s the best advice you’ve been given and by who?

No ones ever really given us advice, we've been figuring a lot of things out on our own as we go which is kind of cool.

What else is coming up for you in 2013?

We are recording next month for another release, touring the east coast in September which includes a show at the Poison City Weekender fest in Melbourne and trying to write new songs. We are slowly starting to become more busy with the band which is really cool. Putting a lot of time and energy into something creative and artistic is quite refreshing.

Australian music is…?

…very unique, be it our accents, lyrical content, style or even artwork. There is a great sense of community. The amount of support we've received over the past year and a half has been overwhelming, all these Australian bands just seem to want to help each other out.

Tell us about your music - how did you develop your sound?

We all met because we were hooking up with each others sisters, which is kind of awkward. We started jamming on a few songs that Lewis had written and then slowly started finding our feet and developing our sound. We all have different influences and tastes in music and it all sort of falls into place when we play together. Our first EP is quite different from our latest one and I think that our sound is going to continue to evolve over time. Kind of like Pokemon just different.

You’re one of the winners of our PARKLIFE competition. What can Parklife punters expect from The Belligerents live show?

Smoke machines, full frontal nudity, strobe lights and fun in the sun for the whole family. We're gonna try our hardest to put on the absolute best live show we've ever played and make it worthwhile for the people that come and see us.

What most excites you about playing and attending Parklife 2012?

The line-up is massive and we're incredibly stoked to be a part of it. We love Tame Impala and I'm pretty sure Lewis and Andy have some weird/semi-creepy band crush on The Presets, so we're definitely going to have an awesome time watching them. It's also going to be a lot of fun playing on such a huge stage because we'll finally have room to move around and bust out our dance moves.

What’s your earliest memory of seeing live Australian music?

I only moved over here in 2007 so I think the first proper gig I went to was Splendour 2008, which was mind blowing. I can't remember much but I'm pretty sure it was one of the best festivals I've ever been to.

What’s coming up in 2012?

First of all Parklife!!! Then we’re playing Valley Fiesta in Brisbane with Arrested Development in October. After that we will be back on the road towards the end of the year around November for a tour support and we’ll also be going back into the studio later this year.

Australian music is...

...awesome, great, fantastic, super, sick as!

Tell us about your music. How did you develop your sound?

I've been exposed to music since the womb; my mum leads a church choir and you could probably find any genre you're looking for if you search hard enough in my dad's CD collection. My brother was originally a guitarist so he would strictly listen to Red Hot Chili Peppers, Rage Against the Machine and anything in that field. Music generally reflects the artist making it so I suppose that's why genre-blending is such a big aspect of my music.

What's your greatest source of inspiration for making music?

Emotions.

You're playing Laneway in Sydney for Unearthed. What can punters expect from a Genesis Owusu live show?

Chaos, probably. Really, really entertaining and heartfelt chaos though.

What's the best advice you've been given and who was it from?

Kanye West once told me, "You see there's leaders and there's followers, but I'd rather be a dick than a swallower."

What Australian track would you play to cheer up someone who was crying?

If "WDUBI" by Baro doesn't dry your eyes I don't know what will.

What Australian track would you play to someone to make them cry?

My friend Charlesworth made this track called "In Need" which is so damn beautiful. King Krule vibes.

You're the DJ at a party. The dance floor is pumping. What Australian track do you put on next?

"Assumptions" by MANU CROOK$ absolutely SLAPS.

What was the last local gig you went to? How was it?

I did this really chill afternoon session on Sunday at a bar in Canberra called Akiba and it was such a pretty sight. Just people of all ages sitting around on a Sunday listening to jazz and rap, and people rapping on top of jazz; AND there was dumplings. What more could you want?

Tell us about the bands or people in the Canberra music community that inspire you.

Narit "Noodle" Kimsat is the prince of Canberra; he's not a musician but he's the organiser of anything and everything. And if he didn't organise it, he told you about it. Even if he didn't tell you about it, he'll still be there, handing you free dumplings or something (he's the one who organised the event from the last question).

My brother, Citizen Kay, essentially got me into the music scene and is still my sole recording engineer to this day. I have to give mad love to groups like Mondecreen and Brass Knuckle Brass Band for making super wild, cross-genre music and also for incorporating saxophones into their music (the saxophone is the sexiest instrument in human history, you CANNOT argue with me about this). People like Coda Conduct, Jimmy Pike and Jedbrii are some of the most fire spitters I've ever seen or heard. I could go on forever; basically the CBR ZOO is LIVE. Also #reecegurney.

What are your plans for 2017?

To make you see my face and hear my voice a whole lot more. I'm also thinking of starting a book club so if anyone's keen hmu.