This Melbourne duo have made one of the most memorable debuts of 2016.
Melbourne's Alex Lahey is your triple j Unearthed Feature Artist this week. Already named as one of triple j Unearthed's artists to watch in 2016, her incoming debut EP (recorded with Oscar from Holy Holy) has us all sorts of excited.
Tell us about your music. How did you develop your sound?
I've been playing music my entire life and really started taking it seriously when I picked up the saxophone at 12 years old. I played in big bands all through high school and went to uni to study a jazz degree. I was always writing songs through high school as a means of teaching myself how to play guitar, and found when I got to uni that my ear was more attuned to appreciating a great song rather than a gnarly bebop lick - I was listening to way more Carole King than Charlie Parker. So, I dropped out of my degree and to focus more on writing songs. Oscar Dawson who plays in Holy Holy has helped me bring my songs to life with his incredible production skills. Funnily enough, he also didn't finish the exact same degree as me. And here we are.
What’s your greatest source of inspiration for making music?
My lyrics tend to come from interactions I have with other people. I'm big on communication - I like to talk things out - so a lot of the words in my songs happen to be directly taken from conversations I've had. Musically, I get inspired by melody and groove. There's nothing better than hearing a song where there's a sweet chord change or melodic idea that makes you go "what the hell was that? I need to know!"
What can punters expect from your live show?
Coopers Sparkling, Bruce Springsteen-style count ins, fuzz pedals and a drummer who cries whenever he watches 'School of Rock'.
What’s the best advice you’ve been given and who was it from?
My friend's dad tells me "fortune favours the prepared mind", which I'm pretty sure is a Louis Pasteur quote. Basically, I interpret that to mean even if you're feeling you're not producing the best output at a particular time, you're preparing yourself and your skills to create something you're really proud of down the track. Another friend of mine has a similar piece of advice, which is to "sift through the shit", but I don't really like the visual that suggests... Let's stick with the Pasteur one.
What Australian track would you play to cheer up someone who was crying?
'Our Place' by Verge Collection
What Australian track would you play to someone to make them cry?
'Can We Work It Out' by Gordi
You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?
'She's So Fine' by The Easybeats
What was the last local gig you went to? How was it?
I don't know if this counts, but I went to see Alvvays while I was in Sydney the other weekend and they were incredible. I referred to their music a lot while recording my EP. I know Alvvays aren't a local band, but Major Leagues opened and they were just as good. Great songs, great chops, great night.
Tell us about the bands or people in the Melbourne music community that inspire you.
I'm really lucky to be part of a community that inspires me so much. My friends Eilish Gilligan and Greer Clemens both play in a brilliant band called Frida and have their own solo projects. I froth on the feedback I get from them when I show them new songs or mixes. Kate Duncan is the creative producer of The Push Inc and works to give young people opportunities to learn about playing/putting on gigs, being in the studio and releasing music - she's an amazing person who has been looking out for me since I was a bub. My best friend Ollie Whitehead plays sax in Animaux with me and has a sweet new project on the go, which will be excellent. Every time I go into the studio with Oscar, I come out a better musician and writer. Also, shout out to my manager, Leigh. Hey Leigh!
What are your plans for 2016?
Write more songs, play more guitar, play more shows, release my debut EP, tour lots, do more recording, drink all the beers. Not necessarily in that order.View Profile Hide Interview
Devastatingly evocative "sad boy folk" out of Melbourne's inner north.