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JOY.

Featured Artist

2015

25

Jan

JOY.

( )

Brisbane, QLD

Brissie beatsmith and vocalist JOY. is one of our Laneway competition winners and will be taking her dreamy pop creations to the Brisbane Showgrounds this Saturday, January 31.

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Tell us about your music. How did you develop your sound?
I developed my sound probably though experimenting on Ableton at ridiculous hours of the early morning on school nights instead of doing homework, but that more or less evolved from being a singer songwriter playing acoustic gigs earlier on. I've always played instruments and always liked to muck around on different instruments, and especially with pedals to try and adapt sounds etc. So then that kind of transferred over to the electronic side of things when I started producing, and the sound was just built from there.

What’s your greatest source of inspiration for making music?
I'm not really sure where I gain inspiration from to be honest, I've always played and written music growing up, so I've never really thought about it that much.

You're one of our Laneway competition winners. What can punters at Laneway in Brisbane expect from the JOY. live show?
A lot of dirty trap horns. Well, probably not. My set up is just me on stage solo pressing hundreds of buttons and hoping everything goes well. But I have heard I might be bringing a few special guests out.


What’s the best advice you’ve been given and who was it from?
"You don't make friends with salad" - Homer Simpson


What Australian track would you play to cheer up someone who was crying?
Hayden James - Something About You

What Australian track would you play to someone to make them cry?
Montgomery - Pinata or George Maple - Vacant Space (bc so beautiful)

You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?
Peking Duk - High (ft. Nicole Millar)

What was the last local gig you went to? How was it?
OZfest at the Gold Coast last night. Very crazy, hectic line up. The Creases, Allday, Kingswood, The Preatures and Illy played and their sets were all 10/10 epic.

Tell us about the bands or people in the Brisbane music community that inspire you.
There are lots of rad bands and people in the Brisbane community that inspire me. In particular my m8's The Cairos, The Creases and Vancouver Sleep Clinic. The Cairos are all lovely dudes, and mega talented song writers, I really look up to them. I really dig The Creases' sound, it's super refreshing and kawaii and lovely and they're all super cool dudes. Vancouver Sleep Clinic have totally nailed the whole soundscape vibe, incredible incredible polished sounds and just amazing vibes all round.

What are your plans for 2015?
I will be embarking off around 'straya for plenty of shows soon, I am supporting the FLAMINGO boys on their national tour in a couple of weeks, followed by a couple of other small tours. In between shows I am planning to write a bunch of material and hopefully work on a big EP, or mini LP depending on how everything goes, and apart from that, I plan to eat lots of Pringles by the pool in the sun and not have to worry about going to university.

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Jess Locke

Featured Artist

2016

20

Jun

Jess Locke

( )

Melbourne, VIC

Melbourne singer-songwriter Jess Locke will leave you in a reflective state with the nostalgic tones of her sunkissed music.

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Tell us about your music. How did you develop your sound?
I started playing guitar around the age of twelve and it seemed totally natural to me that if I played an instrument, I should make up songs as well. I don't think my songs were particularly good at first and I don't remember most of them. At that point, I just had this incredible urge to do it. It was cathartic and very personal. I didn't really play in bands with other people growing up so for a long time, it was just me and an acoustic guitar. I suppose that is what's at the roots of what I do. Over the years, my music has become more fleshed out and doesn't fit into the acoustic/solo person genre any more. I have always been interested in mixing genres and messing with conventions, but even just instinctively, I tend to incorporate bits of what i hear around me into what i make, whether it's folk, pop, punk or whatever. So the aesthetics of my recordings and live performances are continually changing, and I think it needs to, otherwise I would get bored. But, I almost always begin with songwriting. I think, if I have a solid base to work with then I have much more freedom in what I can do with it in terms of sounds.
 
What’s your greatest source of inspiration for making music?
Existential turmoil. Sadness. Outrage. And, also, it just feels good.
 
What can punters expect from a Jess Locke live show?
Senseless muttering, sadness, nonchalance and a bit of fatigue. 
 
What’s the best advice you’ve been given and who was it from?
'Question Everything'. I think it was my second year Philosophy lecturer. 
 
What Australian track would you play to cheer up someone who was crying?
 
What Australian track would you play to someone to make them cry?
There is a song by Two Steps on The Water that I don't know the name of but I've seen them play live and it kills me every time - "You put words in my mouth. I wasn't hungry". If anyone can find a recording of it, that would be great.
 
You’re the DJ at a party. The dance floor is pumping. What Australian track do you put on next?
Anything by The Brutal Poodles.
 
What was the last local gig you went to? How was it?
Olympia, at the Northcote Social Club. It was great. Olympia is very impressive and she has some angelic back up singers. Also, whoever did the lighting really nailed it.
 
Tell us about the bands or people in your music community that inspire you.
My ideas about making and playing music have been hugely influenced by DIY philosophy, which is essentially just the notion that you don't need fancy instruments or studios to make music and if you can't get a gig at a venue then you can put one on in your living room. There are infinite ways in which people can create and share music. The essential elements are you and your creativity. I feel really lucky to have been involved with the people at Lesstalk, Blackwire, Beat Disc and Poison City Records (just to name a few) who's primary motivation for putting on shows and releasing music is pure love and not money or ego. I couldn't do what I do without them.
 
What are your plans for the rest of 2016?
I've got another album in the works which, hopefully, will be recorded by the end of the year. Other than that... a few local live shows and lots of photos of my cat.
 

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Benjamin Trillado
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Benjamin Trillado

Indie, Pop, Roots (Ed Sheeran, Matt Corby, Jason Mraz, ...)

Melbourne, VIC

Taj Ralph
New

Artist

Taj Ralph

Indie, Rock

Sydney, NSW

SŸDE
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SŸDE

Dance, Electronic, Pop ("Alternative "indie"electronic"chill"pop)

Melbourne, VIC

Arno Faraji
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Arno Faraji

Dance, Electronic, Hip Hop, Indie (Vibes, Wavy, hip hop, ...)

Perth, WA

Ninajirachi
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Ninajirachi

Dance, Electronic, Pop ((((・^・;)*。:・。+ 音楽)

Central Coast, NSW

Gretta Ray

Featured Artist

2016

26

Sep

Gretta Ray

Melbourne, VIC

Unearthed High champ Gretta Ray is back with 'Unwind' - a stunning new song she recorded here at triple j.

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You've just released your new single 'Unwind'. Tell us a little about the genesis of that song and what it was like to be writing/recording again after the success of ‘Drive'?
Writing Unwind after the success of Drive was a fascinating challenge for me as a songwriter, due to the fact that Drive was one of those songs where all the elements kind of fell into place right from the beginning of the writing process; the piece came together in a rather organic way. For me, that rarely happens when writing music, and I had to consistently remind myself of that when writing Unwind, as it did not unfold as naturally as Drive did. That being said, once I had the bones of Unwind, I became excited about how different it sounded from anything that I’d ever written before, and once I arrived in Sydney to record it, I was so pleased that I had pushed myself to have a brand new song finished in time for that particular project. Concept-wise, the lyrics of Unwind intend to portray one’s thought process when going through a break up. More specifically, the moment when one comes to understand the extent of what they have lost, when they start to feel the weight of what the relationship became. I feel as though the lyric that best conveys that is “I am sure that there is more to this than I care to admit”. Hopefully this rings true with some listeners. This is a song for those that “feel it all”.
 
You recorded it at the triple j studios in Sydney. What was that recording process like compared to how you usually lay your tracks down?
The recording process at triple J was such an incredible opportunity; I got to work with some very special musicians and am so grateful for all of their time. The main difference between recording in Sydney and how I usually record was definitely the time constraints. We completed the production for this new song in the space of a day and half, which was a huge achievement for the whole team, considering that my usual producers and I spent a good few weeks on Drive. But despite it being a speedy process, it was as equally as fun and satisfying when we completed our work.
 
What's your greatest source of inspiration for making music?
I spend a lot of time examining the way that I and others move through the world. I am constantly observing human interactions and human behaviour on the whole, and find that most of my ideas are born when I am taking note of one’s body language or the way that they are conversing with another. For example, there is a lyric in Drive that talks about someone having the ability to make one’s “tired eyes widen and cheeks turn rouge”. I like to focus on minuscule details such as these, details that have the potential to mean so much if they are explored in depth. So overall, I would say that choosing to watch and listen to those in around me has always been what has inspired me to write.
 
What's your go-to snack when making music?
If I’m writing? Hmmm.. okay, this isn’t interesting or original at all, but vegemite toast is definitely my go to. I consume so much bread on a day to day basic, it’s out of control. When I’m recording and making music in a studio environment however, I am hungry the entire time, so props to triple j for bringing me pastries and pizza when I was working in Sydney. Saved my life. 
 
What's your vision for the ultimate Gretta Ray live show?
Oh man, I’m not sure. I sure do think about it a lot, but I am yet to put a band together, as I have always played my shows acoustically; just me and my guitar.
Although, touring as a part of Japanese Wallpaper’s band was an eye opening experience in regards to what it takes to put on a good live show. I loved watching our support act, E^ST perform each night. She radiates so much energy on stage and is jumping and dancing almost the entire time, keeping the audience in the palm of her hand. I found that incredibly inspiring, so when it came to singing lead in Japanese Wallpaper’s set, I attempted to channel a similar energy. When school ends and I can start thinking about putting together a show of my own, I’d definitely like there to be moments where I can put the guitar down and move around on stage.
 
What's the best advice you've been given and who was it from?
I am very lucky in the sense that I seem to have wise, supportive people around me all the time, so I am constantly being offered amazing advice. My family has always taught me to be thankful for everything that comes my way and to be considerate of others. Although that’s very broad, I would say that’s the best advice that anyone can be given.
 
What Australian track would you play to cheer up someone who was crying?
I Love Pop Music by Ben Lee. Maybe just Ben Lee in general. Ben Lee forever.
 
What Australian track would you play to someone to make them cry?
Consolation Prize by Montaigne. I cried on the plane to that song the first time that I listened to it.
OR Stranger In My Room by Kat Edwards. Hauntingly exquisite. 
 
You're the DJ at a party. The dance floor is pumping. What Australian track do you put on next?
Get Down by Jess Kent. Banger and a half. I will never get over how good that song is. 
 
What are your plans for the rest of 2016 and into 2017?
I am going to finish High School! HOORAY! Then straight after that, I’m flying to Nashville for 2 weeks alongside my mum to hang out with my producer, meet people, eat a lot of food and start work on what I hope to be a full length record. 2017 will consist of playing shows, writing a lot of songs and hopefully travelling back to the states if I can earn the money to do so.

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